求翻译大神翻译几段比较复杂的有关美术流派的英文

求翻译大神翻译几段比较复杂的有关唯美主义的英文~

　　It is usually thought that the end of Academic circles aestheticism movement was marked by the arrest of Oscar Wilde .
　　Genre: French symbolism or decadent after movement, romantic,overlap with history of decorative arts revolution .
　　Slogan: "art for art's sake"
　　Features: the pursuit of recommended rather than declarative, the pursuit of sensory enjoyment, the application of symbolism, the link between the pursuit of things induction - that is, to seek for vocabulary, the inner relationship between color and music.
　　Representative: Keats, Shelley, Mr Gautier (GeDiYe), Oscar Wilde, Beardsley.
　　Scope: Europe and the far east
　　Affected areas: literature, drama, decoration, art.
　　Soul: Oscar Wilde
　　Soul: drama "salome"
　　Events: Oscar Wilde in prison

　　Truly representative of aestheticism is Oscar Wilde (1856-1900), his aestheticism is not only the creator of practitioners, but also the advocate of the theory of aestheticism.
　　On the relationship between art and reality, said Oscar Wilde, believes that art should be escapist, free life. "Real events are the enemy of the art. All the disadvantages of art from feelings. Nature is to understand, understand, it is not art." All bad art from the return of natural descriptions and objectively describe the life. So that those who "back to life and nature" of art is bad, art more far away from the reality, beyond it more better. The only things of beauty, is "has nothing to do with our things.
　　About the role of art for life, Oscar Wilde believes that art is not reproducing life, but life imitates art. Art is not the mirror of human social life, the life just is a student of art, art is Paramount.
　　From the purpose of literary and artistic creation, he preached "art for art's sake". That "art in addition to its own performance, does not show any other things. Art has its own life, as well as thoughts have an independent life". Novel Du Liange lai's portrait is the representative work of Oscar Wilde, is also the aestheticism aims to show the "art of life is the imitation, destroyed the art, a man's life is no" work.

翻译如下
他不是教师和作家
她不会说英语和法语
他不能说的清晰和准确

古典主义:以典型的历史事件表现当代的思想主题，提倡典雅崇高的题材，强调理性而轻视情感
Classicism: contemporary themes in typical historical events, advocate elegant noble theme, emphasizing the rational and emotional neglect
浪漫主义 :反映客观现实上侧重从主观内心世界出发，常用热情奔放的语言、瑰丽的想象和夸张的手法来塑造形象。
Romantic: focus reflect the objective reality, starting from the subjective inner world, often passionate language, rich imagination and exaggeration to shape the image.
象征主义:以感情为基础对新内容的探索，不是以理智或客观的观察为基础，而是超越外表的直觉的内在力量和想象。
Symbolism: the exploration of new content with the affection based, not onrational or objective based on the observation, but beyond the appearance of the internal strength and imagination.
印象主义：强调绘画中的光感，以视觉影象作为描绘对象。多描绘现实中的人物和自然风景。
Impressionism: emphasis on painting in the light, seeing as depicted object.Many characters portrayed in reality and the natural landscape.
后印象主义：认为绘画不能单纯去模仿客观世界，而应该更多地表现画家对客观事物的主观感受。主张不要面对实物，而凭记忆作画，提倡综合和象征的美学原则。
Post Impressionism: that painting is not simply to imitate the objective world,but should be more performance artists to the subjective experience of objective things. Won't face the real, and paint from memory, the promotion of integrated and symbolic aesthetic principle.
后现代主义：主要以艺术的大众性反对艺术的精英性.主张艺术各门类，艺术与生活之间界限的消失.
Postmodernism: mainly popular art opposed artistic elite. That art of all categories, the boundaries between art and life disappear.
表现主义：采用极不和谐的构图，加上色彩和线条的强烈对比来描写病态社会的黑暗和丑恶，反映人民孤独、惶恐的精神状态。
Expressionism: the extremely not harmonious composition, coupled with the strong contrast of color and lines to describe the dark and ugly sick society,reflecting the people's loneliness, fear and mental state.
抽象主义:强调形式至上，忽视内容的一种非写实主义绘画风格.以直觉和想象力为创作的出发点
Abstract: emphasis on form first, a non realistic painting style ignoring the content. By intuition and imagination for the creation of the starting point
达达主义：.否定理性和传统文明，提倡无目的，无理想的生活和文艺，提倡自动性和偶然性。
Dada:. Negate rationality and traditional civilization, advocate no purpose, no ideal life and art, advocating automatic and contingency.
超现实主义:主张放弃逻辑，而呈现人的深层心理中的形象世界，认为只有这种超越现实的“无意识”世界。才能摆脱一切束缚。
Surrealism: abandoning logic, and show people's deep psychology in theimage world, that only the reality beyond the "unconscious" world. In order to get rid of all the shackles.

浪漫主义:romanticism: is the artistic movement of the eighteenth and nineteenth centuries which was concerned with the expression of the individual's feelings and emotions.The beauty of nature and human feelings were important ideas in romanticism.

现实主义:realism: an artistic movement in 19th century France; artists and writers strove for detailed realistic and factual description

后现代主义:postmodernism: Mainly artistic elite is opposed by art's popularity . the boundaries is disappeared from all categories of art and between art and life.

超现实主义:surrealism:a style in art and literature in which ideas, images, and objects are combined in a strange way, like in a dream. a 20th century movement of artists and writers (developing out of Dadaism) who used fantastic images and incongruous juxtapositions in order to represent unconscious thoughts and dreams

古典主义:classicism: a style of art practised especially in the 18th century in Europe. It has simple regular forms and the artist does not attempt to express strong emotions.

象征主义:symbolism: The exploration of new content with the affection based, it doesn't based on the rational or objective observation, but beyond the superficial intuition internal strength and imagination

印象主义:impressionism: A style emphasizing the depiction of light and its effects, with the act of seeing as its primary subject. （France 19th century)

后印象主义:postimpressionism: that painting is not simple to imitate the objective world, the artists subjective feeling to objective things should be more performance. Won't face the real, and paint from memory, the promotion of integrated and symbolic aesthetic principle.

表现主义:expressionism:An early 20th-century style emphasizing emotional expression, strong color and composition, and a distorted, theatrical treatment of image.

抽象主义:abstractionism: A nonrepresentational style that emphasizes formal values over the representation of subject matter. The intuition and imagination is the starting point of creation

立体主义:Cubism: A style of art that departs from traditional reality, and emphasizes multifaceted, simultaneous views of subject and distorted perspectives.（early 20th century）

自然主义:naturalism: is a theory in art and literature which states that people and things should be shown in a realistic way.

存在主义:existentialism: is a philosophy which stresses the importance of human experience, and says that everyone is responsible for the results of their own actions.

未来主义:futurism: A style glorifying modern technology, speed, and the machine age. （ Italy, early 20th century ）. Art from the era of futurism can be identified by a combination of machine elements, cubism, and motion

达达主义:Dadaism: A style （1915-1925） with antirational approach and nihilistic, absurdist, and incongruous themes. Negate rationality and tradition, advocates life and art with aimless and idealless. advocates automoticity and contingency.

部分词语我用了英英字典的解释. 意思不完全符合你给的字面上的意思.

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