电影《推手》的英文介绍

作者&投稿:老榕 (若有异议请与网页底部的电邮联系)
电影《推手》得写作背景以及情节介绍~

《推手》(英文:Pushing Hands)是一部於1991年上映的台湾电影,是李安执导的第一部电影,由郎雄、王莱等主演。电影上映前,因剧本获得台湾行政院新闻局颁赠40万新台币奖金,配合中央电影公司的支持下,让李安首度获得执导的机会。台湾导演李安运用近代家庭变迁搭配细腻描述亲情互动,因而享誉国际的『父亲三部曲』之第一部曲。
剧情简介
朱老自小练就一身太极拳,是北京市太极拳的总教头,膝下育有一位定居美国的儿子朱晓生。某天,从小孝顺的儿子晓生为尽孝道,游说留在故乡的老父移民到美国,一起与儿子和洋儿媳同住。
但是,朱老由於语言不通及生活习惯不同,导致无法适应美国的生活,甚至於令他与洋媳妇玛莎渐生磨擦,彼此都认为无法与对方相处,完全要透过晓生间接表达,更由於玛莎内心的排斥,对朱老的一举一动均不能接受,致无法专心从事写作工作,最後导致胃出血而入院。
玛莎经过疗养出院後,依然无法接纳朱老,一天,朱老因为小家庭气氛太沉闷,往外头遛达,在人生地不熟的美国,迷了路回不了家。晓生得知父亲走失的消息,急的如热锅上的蚂蚁,驾车四处寻找,却几度寻找不著,晓生回到家中後,对妻子玛莎发了一顿脾气,把家当摔了满地,终於摔醒了玛莎的心。
朱老後来被警方寻回,但为了顾及儿子与儿媳妇一家生活的圆满,离家自寻生活,独自一人跑到唐人街一家餐馆帮人洗碗盤打工维持生活,由於洗碗盤手生不俐落而备受老板奚落,第二天就要将他解雇,并且出言相辱,朱老受辱不愿离开,老板令其手下欲强行将朱老拖出,惟朱老练过太极拳,深谙推手功夫,只见他原步未动,马步一扎,身形微沉,利用听劲走化技巧,七、八个壮汉无法将他移动半步,老板大怒,找来华青帮小混混,在厨房与朱老大战,朱老以几个太极拳散手工夫便将小混混撂倒,後来美国警察出来收拾残局,费尽九牛二虎之力才将朱老带回警局看守所中。
朱老被警方带走,晓生驱车前去探望,玛莎内心甚为感慨,後来晓生将朱老保出,并买了一间较大的房子,也为朱老备了一间练功房,欲接朱老回家,但朱老不想破坏儿子一家温馨的生活,宁愿独自在外赁屋而居,并在华人活动中心教授太极拳,也不愿返回儿子身边。

Date of Birth
23 October 1954, Pingtung, Taiwan


Height
5' 7" (1.70 m)


Mini Biography
Born in 1954 in Pingtung, Taiwan, Ang Lee has become one of today's greatest contemporary filmmakers. Ang graduated from the National Taiwan College of Arts in 1975 and then came to the U.S. to receive a B.F.A. Degree in Theatre/Theater Direction at the University of Illinois at Urbana-Champaign, and a Masters Degree in Film Production at New York University. At NYU, he served as Assistant Director on Spike Lee's student film, Joe's Bed-Stuy Barbershop: We Cut Heads (1983). After Lee wrote a couple of screenplays, he eventually appeared on the film scene with Tui shou (1992) (aka Pushing Hands), a dramatic-comedy reflecting on generational conflicts and cultural adaptation, centering on the metaphor of the grandfather's Tai-Chi technique of "Pushing Hands". Hsi yen (1993) (aka The Wedding Banquet) was Lee's next film, an exploration of cultural and generational conflicts through a homosexual Chinese man who feigns a marriage in order to satisfy the traditional demands of his Taiwanese parents. It garnered Golden Globe and Oscar nominations, and won a Golden Bear at the Berlin Film Festival. The third movie in his trilogy of Taiwanese-Culture/Generation films, all of them featuring his patriarch figure Sihung Lung, was Yin shi nan nu (1994) (aka Eat Drink Man Woman), which received a Best Foreign Film Oscar nomination. Lee followed this with Sense and Sensibility (1995), his first Hollywood-mainstream movie. It acquired a Best Picture Oscar nomination, and won Best Adapted Screenplay, for the film's screenwriter and lead actress, Emma Thompson. Lee was also voted the year's Best Director by the National Board of Review and the New York Film Critics Circle. Lee and frequent collaborator James Schamus next filmed The Ice Storm (1997), an adaptation of Rick Moody's novel involving 1970s New England suburbia. The movie acquired the 1997 Best Screenplay at Cannes for screenwriter James Schamus, among other accolades. The Civil War drama Ride with the Devil (1999/I) soon followed and received critical praise, but it was Lee's Wo hu cang long (2000) (aka Crouching Tiger, Hidden Dragon) that is considered one of his greatest works, a sprawling period film and martial-arts epic that dealt with love, loyalty and loss. It swept the Oscar nominations, eventually winning Best Foreign Language Film, as well as Best Director at the Golden Globes, and became the highest grossing foreign-language film ever released in America. Lee then filmed the comic-book adaptation, Hulk (2003) - an elegantly and skillfully film with nice action scenes. Lee has also shot a short film - Chosen (2001) (aka Hire, The Chosen) - and most recently won the 2005 Best Director Academy Award for Brokeback Mountain (2005), a film based on a short story by Annie Proulx.

Master Chu, a retired Chinese Tai-Chi master, moves to Westchester, New York to live with his son Alex, his American daughter-in-law Martha, and their son Jeremy. However, Martha's second novel is suffering from severe writers' block brought on by Chu's presence in the house. Alex must struggle to keep his family together as he battles an inner conflict between cultural tradition and his modern American lifestlye. Written by Kathy Li

Sihung Lung, the actor who played Master Chu, the aging tai chi master, gave a very convincing and sincere performance in this film. It was no wonder that he won the Golden Horse (Taiwan's equivalent for the Oscars) for Best Actor in this film. His performance was extremely touching, as tears jerked into my eyes as I see an aging and traditional Chinese father trying to get along with his westernized family while also trying to adjust to life in a new place and culture. The film encourages people, especially new immigrants, to emphasize and put themselves in their parents' shoes. Try to understand how difficult it is for them to come and settle in a new place and try not to push them away. Be patient with them, take a step back and everything may be better.

The movie title, "Pushing Hands", is very appropriate, as this is the term for an exercise in tai chi in which a person achieves balance by giving up balance. In this non-aggressive exercise between 2 people, a person offers no resistance at all to the pressure or push that the other person is exerting and keeps borrowing this strength until they feel they have fused into one and thus have achieved harmony. This was what Master Chu did. Although his daughter-in-law kept misunderstanding him, causing much discontent and eventually got his son to try to sent him away, he offered no resentment or a temper tantrum. He simply walked away gracefully. This action caused his son to appreciate him and remember why he got his father to live together in the first place in a tear jerking scene and finally they worked out a solution. They decided to give each other space by living separately instead of pushing each other away. In the end everyone was much happier, as even the daughter-in-law learned to accept the father, symbolized by her decorating the guest room for him and asking the question if he would ever visit. The father achieved the balance that he seek in Tai-Chi.

Ang Li is simply amazing and sensational. He did what he could with the limited budget and created a very warm and tear jerking film. Although this film was not the highest quality (the version I saw was very unclear and skips sometimes) and it could feel slow at times, especially the beginning sequence, the film was a great work in directing. The film picked up its pace after the slow beginning without any big fighting scenes or explosions and never felt boring afterwards. Also, from the beginning sequence, where he was able to show the dissension and gap between the daughter-in-law and the father by using just different scenes and visuals, to scenes throughout the film where he used lighting and different camera angles to show the internal pain and sadness that the father experience, it was, simply put, a great piece of art considering the budget. It showcased the talent of Li and gave the audience a glimpse of the man who would bring us the memorable Couching Tiger, Hidden Dragon.

有哇,我有你要的,里面都是大量的电影需要的话可以看我dddd 看我简戒了解一下

Master Chu, a retired Chinese Tai-Chi master, moves to Westchester, New York to live with his son Alex, his American daughter-in-law Martha, and their son Jeremy. However, Martha's second novel is suffering from severe writers' block brought on by Chu's presence in the house. Alex must struggle to keep his family together as he battles an inner conflict between cultural tradition and his modern American lifestlye. Written by Kathy Li

Sihung Lung, the actor who played Master Chu, the aging tai chi master, gave a very convincing and sincere performance in this film. It was no wonder that he won the Golden Horse (Taiwan's equivalent for the Oscars) for Best Actor in this film. His performance was extremely touching, as tears jerked into my eyes as I see an aging and traditional Chinese father trying to get along with his westernized family while also trying to adjust to life in a new place and culture. The film encourages people, especially new immigrants, to emphasize and put themselves in their parents' shoes. Try to understand how difficult it is for them to come and settle in a new place and try not to push them away. Be patient with them, take a step back and everything may be better.
The movie title, "Pushing Hands", is very appropriate, as this is the term for an exercise in tai chi in which a person achieves balance by giving up balance. In this non-aggressive exercise between 2 people, a person offers no resistance at all to the pressure or push that the other person is exerting and keeps borrowing this strength until they feel they have fused into one and thus have achieved harmony. This was what Master Chu did. Although his daughter-in-law kept misunderstanding him, causing much discontent and eventually got his son to try to sent him away, he offered no resentment or a temper tantrum. He simply walked away gracefully. This action caused his son to appreciate him and remember why he got his father to live together in the first place in a tear jerking scene and finally they worked out a solution. They decided to give each other space by living separately instead of pushing each other away. In the end everyone was much happier, as even the daughter-in-law learned to accept the father, symbolized by her decorating the guest room for him and asking the question if he would ever visit. The father achieved the balance that he seek in Tai-Chi.
Ang Li is simply amazing and sensational. He did what he could with the limited budget and created a very warm and tear jerking film. Although this film was not the highest quality (the version I saw was very unclear and skips sometimes) and it could feel slow at times, especially the beginning sequence, the film was a great work in directing. The film picked up its pace after the slow beginning without any big fighting scenes or explosions and never felt boring afterwards. Also, from the beginning sequence, where he was able to show the dissension and gap between the daughter-in-law and the father by using just different scenes and visuals, to scenes throughout the film where he used lighting and different camera angles to show the internal pain and sadness that the father experience, it was, simply put, a great piece of art considering the budget. It showcased the talent of Li and gave the audience a glimpse of the man who would bring us the memorable Couching Tiger, Hidden Dragon.


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