求一篇闻香识女人的观后感.英文的400字！！高分！12月1日前截至...切记不能复制.要原创！！写得不好都没关

急 求闻香识女人电影观后感 英文的 100字左右就可以了~

It.s one of the most beautiful movies ever
I thinkthis incredible movie leaves a legacy of life, it makes us appreciate life an also understand that a life can be lived in a minute just like Al Pacino says in one of this movie's most beautiful scenes, it also talks about values, integrity, and moral principles, by sides of this movie's wonderful script it's incredible cast makes it one of the most outstanding movies I have ever seen. The incredible scene of tango, the deep arguments about life between Al Pacino's character and Chris O'Donnell's, and also those scenes when Al Pacino's character senses women's scent and tells them the name of the perfume or the name of the soap it's really amazing, all of this with the sarcastic sense of humor of this movie, it's really great.

闻香识女人_百度翻译
闻香识女人
[名]Scen of a Woman（影片名称）;
[例句]闻香识女人。
Scent of a Woman.

There are few films that I consider to be truly great. I don't mean 'great' in the pedestrian sense of "that's great." I'm talking "true greatness."

Scent of a Woman has true greatness.

It has everything that a timeless classic should have. Unforgettable characters, superb acting, a script that is profound and moving; heartwarming at times and heartrending at others. Music that accents each moment perfectly and is never obtrusive. Scenes that are so perfectly directed and edited and imbued with such powerful emotions that they leave indelible impressions on the mind and heart.

Scent of a Woman revolves around two main characters: Lieutenant Colonel Frank R. Slade (played by Al Pacino) and prep school student Charlie Simms (played by Chris O'Donnel.)

Take a moment to step into the internal world of Col. Frank Slade. Take a look around. See anything? You won't, because Col. Slade is blind. His sight was taken from in in a freak accident some five years before.

Col. Slade is a man accustomed to power, to barking orders and taking charge in every situation. Even in his prime, he was impossible to live with. Now, years later, he's blind, "handicapped", and living at the behest of others. He has not adjusted gracefully to this setback.

Now meet Charlie Simms. Charlie is an honor student attending Baird prep school. Unlike the other Baird boys, his family is not wealthy, so he's on financial aid. He's a quiet, introspective and kindhearted young man. He's also very intelligent. He needs an easy weekend job to make some extra money. He see's an ad to housesit a disabled man over the weekend, so he investigates it. The man in need of sitting is Col. Slade, of course.

Charlie's first encounter with the Colonel is a memorable one, as the Colonel gives him firsthand experience of what a military "dressing down" is like delivered at an extremely loud volume. Charlie is obviously a bit put off by this, but the Colonel's family and caretakers plead with him, so he takes the job. Little does he realize that Col. Slade has his own plans, and they don't involve sitting around being baby sat.

Once his family leaves, Col. Slade bullies Charlie into accompanying him on a flight to New York by sheer force of his personality. Charlie attempts to resist, but he is simply outmanuevered by the wiley Col. Slade. Col Slade explains to Charlie that he going to New York to take "a little tour of pleasures" that he has been denied by his condition. With much persuasion, Charlie finally agrees to go.

Charlie's first impression of Col. Slade is that he is loud, crude, egotistical and highly antagonistic. But as Charlie helps the Colonel navigate from one first class New York locale to another, he and the Colonel gradually develop a strong mutual respect. Over time, he discovers that the Colonel does have a heart, and can in fact be very charming (especially if there's a lady around.)

But despite this, Charley has not seen the worst yet. Eventually, he must confront the Colonel's most deeply hidden fears and outrage concerning his inability to function as he once did. This moment in the movie is *charged* with emotion as both Pacino and O'Donnel deliver riveting performances. In fact, there are so many standout performances in this movie that the Motion Picture Association should slap it with an anti-trust suit ;)

Another thing this film does exceptionally well is balance the characters of Frank Slade and Charlie Simms. Slade is an outspoken, overbearing bully who has grown weary of the world and with his own failures. Charlie is an earnest and kindly young man who believes that all mistakes can be made right. When they first meet, it seems clear that there is a major power imbalance, with Col. Slade brutally running over Charlie's quiet protestations. But as these two get to know one another better, it becomes clear to both the viewer and to Col. Slade that Charlie possesses great strength, but it is a quieter strength than the Colonels. It is the strength of true integrity and conviction. There are many beautiful scenes where these two men discover profound truths about themselves and each other as a result of their conflicts.

Scent of a Woman is a rare and beautiful movie. It's a movie about how one man is lost in despair, and how a younger man helps him find his way. There are so many outstanding aspects to this movie that I could go on for pages, but instead I'll just ask you to watch it. Prepare to be amazed.

One of the most overall pleasing movies I've seen, Scent of a Woman wins on all levels--emotional and intellectual. Of course the primary reason it succeeds is Al Pacino, whose Oscar was well-deserved, needless to say. Chris O'Donnell doesn't overplay his part, and in doing so is realistic and natural. The tango scene, the Ferrari scene, the pseudo-courtroom scene are excellent. Pacino is wholly believable, and although at first he seems overly gruff and nasty, we grow to sympathize with him--especially when that twerp Randy insults him cutthroat-style at Thanksgiving. It's obvious that while Slade acts like he doesn't care, his repetitious "hoo-ha" response makes it obvious he does. My favorite line comes during the Ferrari scene (I was laughing so hard when the cop left, failing to realize Slade is blind.) As Slade careens down the street at 70 mph, Charlie yells, "You're going to get us killed!" Slade answers, "Can you blame me? I'm blind!" On that note, Pacino succeeds marvellously in portraying a blind man. We never doubt for a second that he does, in fact, live in total darkness. Yet others, like the cop, probably the spectators in the restaurant in the tango scene, don't realize it. Ironically enough, Slade acts as though he doesn't want to be treated as the proverbial blind man who needs a cane and a guiding arm. However, in the final scene, he emerges with a never-before-seen pair of dark glasses (after which follows the charismatic speech.) I wonder, was this to throw them off guard??

This movie is a modern classic. Some find it too long, but I enjoyed every minute and didn't acutely notice the 2 1/2 hrs gone by. A wonderful film that I recommend to all.

假如这是今年的八级作文题，那就死惨了

this lady is fragenant...

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