英语童话剧本（最好是名著）

适合9个人的英语话剧（最好是名著，不要童话）~

莎士比亚《仲夏夜之梦》

Themes
Themes are the fundamental and often universal ideas explored in a literary work.
The Failure of Charity
Much of the first part of Oliver Twist challenges the organizations of charity run by the church and the government in Dickens’s time. The system Dickens describes was put into place by the Poor Law of 1834, which stipulated that the poor could only receive government assistance if they moved into government workhouses. Residents of those workhouses were essentially inmates whose rights were severely curtailed by a host of onerous regulations. Labor was required, families were almost always separated, and rations of food and clothing were meager. The workhouses operated on the principle that poverty was the consequence of laziness and that the dreadful conditions in the workhouse would inspire the poor to better their own circumstances. Yet the economic dislocation of the Industrial Revolution made it impossible for many to do so, and the workhouses did not provide any means for social or economic betterment. Furthermore, as Dickens points out, the officials who ran the workhouses blatantly violated the values they preached to the poor. Dickens describes with great sarcasm the greed, laziness, and arrogance of charitable workers like Mr. Bumble and Mrs. Mann. In general, charitable institutions only reproduced the awful conditions in which the poor would live anyway. As Dickens puts it, the poor choose between “being starved by a gradual process in the house, or by a quick one out of it.”
The Folly of Individualism
With the rise of capitalism during the Industrial Revolution, individualism was very much in vogue as a philosophy. Victorian capitalists believed that society would run most smoothly if individuals looked out for their own interests. Ironically, the clearest pronunciation of this philosophy comes not from a legitimate businessman but from Fagin, who operates in the illicit businesses of theft and prostitution. He tells Noah Claypole that “a regard for number one holds us all together, and must do so, unless we would all go to pieces in company.” In other words, the group’s interests are best maintained if every individual looks out for “number one,” or himself. The folly of this philosophy is demonstrated at the end of the novel, when Nancy turns against Monks, Charley Bates turns against Sikes, and Monks turns against Mrs. Corney. Fagin’s unstable family, held together only by the self-interest of its members, is juxtaposed to the little society formed by Oliver, Brownlow, Rose Maylie, and their many friends. This second group is bound together not by concerns of self-interest but by “strong affection and humanity of heart,” the selfless devotion to each other that Dickens sees as the prerequisite for “perfect happiness.”
Purity in a Corrupt City
Throughout the novel, Dickens confronts the question of whether the terrible environments he depicts have the power to “blacken [the soul] and change its hue for ever.” By examining the fates of most of the characters, we can assume that his answer is that they do not. Certainly, characters like Sikes and Fagin seem to have sustained permanent damage to their moral sensibilities. Yet even Sikes has a conscience, which manifests itself in the apparition of Nancy’s eyes that haunts him after he murders her. Charley Bates maintains enough of a sense of decency to try to capture Sikes. Of course, Oliver is above any corruption, though the novel removes him from unhealthy environments relatively early in his life. Most telling of all is Nancy, who, though she considers herself “lost almost beyond redemption,” ends up making the ultimate sacrifice for a child she hardly knows. In contrast, Monks, perhaps the novel’s most inhuman villain, was brought up amid wealth and comfort.
The Countryside Idealized
All the injustices and privations suffered by the poor in Oliver Twist occur in cities—either the great city of London or the provincial city where Oliver is born. When the Maylies take Oliver to the countryside, he discovers a “new existence.” Dickens asserts that even people who have spent their entire lives in “close and noisy places” are likely, in the last moments of their lives, to find comfort in half--imagined memories “of sky, and hill and plain.” Moreover, country scenes have the potential to “purify our thoughts” and erase some of the vices that develop in the city. Hence, in the country, “the poor people [are] so neat and clean,” living a life that is free of the squalor that torments their urban counterparts. Oliver and his new family settle in a small village at the novel’s end, as if a happy ending would not be possible in the city. Dickens’s portrait of rural life in Oliver Twist is more approving yet far less realistic than his portrait of urban life. This fact does not contradict, but rather supports, the general estimation of Dickens as a great urban writer. It is precisely Dickens’s distance from the countryside that allows him to idealize it.
Motifs
Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.
Disguised or Mistaken Identities
The plot of Oliver Twist revolves around the various false identities that other characters impose upon Oliver, often for the sake of advancing their own interests. Mr. Bumble and the other workhouse officials insist on portraying Oliver as something he is not—an ungrateful, immoral pauper. Monks does his best to conceal Oliver’s real identity so that Monks himself can claim Oliver’s rightful inheritance. Characters also disguise their own identities when it serves them well to do so. Nancy pretends to be Oliver’s middle-class sister in order to get him back to Fagin, while Monks changes his name and poses as a common criminal rather than the heir he really is. Scenes depicting the manipulation of clothing indicate how it plays an important part in the construction of various characters’ identities. Nancy dons new clothing to pass as a middle-class girl, and Fagin strips Oliver of all his upper-class credibility when he takes from him the suit of clothes purchased by Brownlow. The novel’s resolution revolves around the revelation of the real identities of Oliver, Rose, and Monks. Only when every character’s identity is known with certainty does the story achieve real closure.
Hidden Family Relationships
The revelation of Oliver’s familial ties is among the novel’s most unlikely plot turns: Oliver is related to Brownlow, who was married to his father’s sister; to Rose, who is his aunt; and to Monks, who is his half-brother. The coincidences involved in these facts are quite unbelievable and represent the novel’s rejection of realism in favor of fantasy. Oliver is at first believed to be an orphan without parents or relatives, a position that would, in that time and place, almost certainly seal his doom. Yet, by the end of the novel, it is revealed that he has more relatives than just about anyone else in the novel. This reversal of his fortunes strongly resembles the fulfillment of a naïve child’s wish. It also suggests the mystical binding power of family relationships. Brownlow and Rose take to Oliver immediately, even though he is implicated in an attempted robbery of Rose’s house, while Monks recognizes Oliver the instant he sees him on the street. The influence of blood ties, it seems, can be felt even before anyone knows those ties exist.
Surrogate Families
Before Oliver finds his real family, a number of individuals serve him as substitue parents, mostly with very limited success. Mrs. Mann and Mr. Bumble are surrogate parents, albeit horribly negligent ones, for the vast numbers of orphans under their care. Mr. Sowerberry and his wife, while far from ideal, are much more serviceable parent figures to Oliver, and one can even imagine that Oliver might have grown up to be a productive citizen under their care. Interestingly, it is the mention of his real mother that leads to Oliver’s voluntary abandonment of the Sowerberrys. The most provocative of the novel’s mock family structures is the unit formed by Fagin and his young charges. Fagin provides for and trains his wards nearly as well as a father might, and he inspires enough loyalty in them that they stick around even after they are grown. But these quasi-familial relationships are built primarily around exploitation and not out of true concern or selfless interest. Oddly enough, the only satisfactory surrogate parents Oliver finds are Brownlow and Rose, both of whom turn out to be actual relatives.
Oliver’s Face
Oliver’s face is singled out for special attention at multiple points in the novel. Mr. Sowerberry, Charley Bates, and Toby Crackit all comment on its particular appeal, and its resemblance to the portrait of Agnes Fleming provides the first clue to Oliver’s identity. The power of Oliver’s physiognomy, combined with the facts that Fagin is hideous and Rose is beautiful, suggests that in the world of the novel, external appearance usually gives a fair impression of a person’s inner character.
Symbols
Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.
Characters’ Names
The names of characters represent personal qualities. Oliver Twist himself is the most obvious example. The name “Twist,” though given by accident, alludes to the outrageous reversals of fortune that he will experience. Rose Maylie’s name echoes her association with flowers and springtime, youth and beauty. Toby Crackit’s name is a lighthearted reference to his chosen profession of breaking into houses. Mr. Bumble’s name connotes his bumbling arrogance; Mrs. Mann’s, her lack of maternal instinct; and Mr. Grimwig’s, his superficial grimness that can be removed as easily as a wig.
Bull’s-eye
Bill Sikes’s dog, Bull’s-eye, has “faults of temper in common with his owner” and is a symbolic emblem of his owner’s character. The dog’s viciousness reflects and represents Sikes’s own animal-like brutality. After Sikes murders Nancy, Bull’s-eye comes to represent Sikes’s guilt. The dog leaves bloody footprints on the floor of the room where the murder is committed. Not long after, Sikes becomes desperate to get rid of the dog, convinced that the dog’s presence will give him away. Yet, just as Sikes cannot shake off his guilt, he cannot shake off Bull’s-eye, who arrives at the house of Sikes’s demise before Sikes himself does. Bull’s-eye’s name also conjures up the image of Nancy’s eyes, which haunts Sikes until the bitter end and eventually causes him to hang himself accidentally.
London Bridge
Nancy’s decision to meet Brownlow and Rose on London Bridge reveals the symbolic aspect of this bridge in Oliver Twist. Bridges exist to link two places that would otherwise be separated by an uncrossable chasm. The meeting on London Bridge represents the collision of two worlds unlikely ever to come into contact—the idyllic world of Brownlow and Rose, and the atmosphere of degradation in which Nancy lives. On the bridge, Nancy is given the chance to cross over to the better way of life that the others represent, but she rejects that opportunity, and by the time the three have all left the bridge, that possibility has vanished forever

话剧名：吻青蛙就会给你带来王子

name:kissing a frog can always brings you a prince

需要四五个人：一个旁白，一个公主，一只不爱洗澡的青蛙，一到两只干净的青蛙。
需要道具：服装，一枝花，一张帅哥的照片，还有其它的道具你可以自添加。
场景：森林里，破井边。

旁白（头上插枝花）：long long ago,a bueatiful princess who was as bueatifull as a.......

(开始思考，突然大悟，取下头上的花）。。。。。right! flower.

she is lonely so the Queen of love promised a prince of frog for her,she told her to go out one day.....(公出场).....

the princess walks near the castle and...........

公主（以下简称公）台词：

Oh，Venus,Queen of love,can you tell me where is my fate?where is my handsome prince?where is the prince of frog?

白：Suddenly,she discovered that she had walked in to a strange forest,when suddenly again, a frog appeared in front of her.

（青蛙把王子的照片藏在领子里，出场，蹲在地上，要表现出自己很脏很邋遢，但不能让人恶心，记住）

公：(惊喜）Oh Venus,thank you my Queen of love,I see it,I see the frog.let me see,(走过去）
oh my god,this frog is so.........(闻闻，然后捏住鼻子，犹豫,来回走），is it really the frog for me?
（看看周围，）aren't there any other frogs?
这时，早就在场边待命的干净青蛙，跳动起来：YES YES other frogs we are here ,see? we are here.（重复说we are here!)
旁白冲过去，敲那些“青蛙”的头,说：“sh.......sh.........shut up ,shut up....."

脏青蛙(很不耐烦)：excuse me my lady? please tell me how long you want to keep me waiting?
公主：(惊慌，，，赶紧给它洗澡。。。。。。)don't be angry lovely little frog,you need a shower first.旁白过来用花把它扫干净。

白：now the princess is going to kiss her frog.
公要亲它头的时候，它突然站起来，吐出（从领子里抽出照片）给公主。
说：thank you young lady,the Queen of love told me to give this to you after the shower,she promised me a shower here.
公主：what?（大吃一惊）
青蛙：She told me to give this photo to you to thank you for the shower.now you take it,just take it.
公：so you are not my frog of prince........公主接过照片,青蛙走人，公主看一下，然后晕倒。。。。。。
白冲过来扶住她，同时大声念：
my dear,the man on the photo is the prince I promise you,tel NO.131232313266

这是我在大学里写的，要找一个好的导演，以前，是我自己导演的，而且我选的几个同学的演技很不错，

所以收效很好，祝你们也取得成功

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冉削小儿：[答案] dreamed I had an interview with GOD. “So you would like to interview me?” GOD asked. “If you have the time,” I said.GOD smiled. “My time is eternity......what questions do you have in mind for me?” “What surprises you most about ...

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冉削小儿：[答案] 我觉得你可以将学过的课文或者对话进行编改,这样既可以复习内容也是接近实际生活的内容,学生不会感到陌生,表演难... 也就是这个时候老师进入了课堂,课堂上还有人因为一块橡皮在争吵啊,吵架的英语句子也是相当简单的就是考的一个英语...

清涧县15756207424： 我要一篇简短的英文童话故事(最好是著名的童话)例如,丑小鸭,白雪公主,等等. - ？
冉削小儿：[答案] 给你白雪公主的吧,一般不会太短的: Snow-white Ⅰ Once there was a Queen. She was sitting at the window. There was ... As she looked in the glass, she asked: ＂ Tell me, glass upon the wall, Who is most beautiful of all?＂ And the glass spoke and ...

清涧县15756207424： 英语童话剧本(最好是名著) - ？
冉削小儿： 话剧名:吻青蛙就会给你带来王子 name:kissing a frog can always brings you a prince 需要四五个人:一个旁白,一个公主,一只不爱洗澡的青蛙,一到两只干净的青蛙.需要道具:服装,一枝花,一张帅哥的照片,还有其它的道具你可以自添...

清涧县15756207424： 求适合初中生的英语童话剧本,大概5到六个人的 - ？
冉削小儿： 愚人节的,我今年初三,我初二时使的.Fool by Sonia Tiao刁青琅6人.有趣的剧本,讲他们愚人节怎么整人的.人物 Cecily: Sue's boss Faith: Sue's friend Jodie: Policewoman Sue: Sue Vicky: Guest Zoe: Sue's friend ———————————...

清涧县15756207424： 麻烦问一下:学校要演英语话剧,请问有什么比较好的英语剧本推荐吗? - ？
冉削小儿： Romeo and Juliet` 排一个Scene就可以了啊~ 比如Fighting的,或者是Romeo和Juliet在Ball相遇的那幕~ 剧本的原文很有风格` 而且这个本来就很有名 不过很难读懂就是了~

清涧县15756207424： 适合9个人的英语话剧(最好是名著,不要童话) - ？
冉削小儿： 莎士比亚《仲夏夜之梦》

清涧县15756207424： 谁有英语剧剧本啊??最好是经典名著改编~拒绝幼稚的童话故事~!~ - ？
冉削小儿： 你好!迪更斯的oliver twist挺不错,搜一下就好了.如果对你有帮助,望采纳.

清涧县15756207424： 谁知道简单一些的英语童话剧?最好是安徒生童话或是格林童话,小红帽或是白雪公主之类的,要有新意,要简？
冉削小儿： 第一场:Little Red Riding Hood家 Mum: (妈妈拿着一个篮子,把桌紫的水果放在篮子里) Little Red Riding Hood:(唱着歌,欢快地跑进来)Hi,mummy, what are you doing? Mum: (一边把水果放在篮子里,心事重重地说)Grandma is ill. ...

清涧县15756207424： 英语童话故事剧本 - ？
冉削小儿： dreamed I had an interview with GOD.“So you would like to interview me?” GOD asked.“If you have the time,” I said. GOD smiled.“My time is eternity... ...what questions do you have in mind for me?”“What surprises you most about ...