菲利普·罗斯的创作历程

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菲利普·罗斯英文简介~

Roth grew up in the Weequahic neighborhood of Newark, New Jersey, as the second child of first-generation American parents, Jews of Galician descent, and graduated from Newark's Weequahic High School in 1950.[2] Roth went on to attend Bucknell University, earning a degree in English. He then pursued graduate studies at the University of Chicago, where he received an M.A. in English literature and worked briefly as an instructor in the university's writing program. Roth went on to teach creative writing at the University of Iowa and Princeton University. He continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991.

While at Chicago, Roth met the novelist Saul Bellow, as well as Margaret Martinson, who became his first wife. Their separation in 1963, along with Martinson's death in a car crash in 1968, left a lasting mark on Roth's literary output. Specifically, Martinson was the inspiration for female characters in several of Roth's novels, including Lucy Nelson in When She Was Good, and Maureen Tarnopol in My Life As a Man.[3]

Between the end of his studies and the publication of his first book in 1959, Roth served two years in the United States Army and then wrote short fiction and criticism for various magazines, including movie reviews for The New Republic. His first book, Goodbye, Columbus, a novella and five short stories, won the National Book Award in 1960, and afterward he published two novels, Letting Go and When She Was Good. However, it was not until the publication of his third novel, Portnoy's Complaint, in 1969 that Roth enjoyed widespread commercial and critical success.

During the 1970s Roth experimented in various modes, from the political satire Our Gang to the Kafkaesque The Breast. By the end of the decade Roth had created his Nathan Zuckerman alter ego. In a series of highly self-referential novels and novellas that followed between 1979-1986, Zuckerman appeared as either the main character or as an interlocutor.

In Sabbath's Theater (1995), Roth presented his most lecherous protagonist yet with Mickey Sabbath, a disgraced former puppeteer. In complete contrast, the first volume of Roth's second Zuckerman trilogy, 1997's American Pastoral, focuses on the life of virtuous Newark athletics star Swede Levov and the tragedy that befalls him when his teenage daughter transforms into a domestic terrorist during the late 1960s. I Married a Communist (1998) focuses on the McCarthy era. The Human Stain examines identity politics in 1990s America. The Dying Animal (2001) is a short novel about eros and death that revisits literary professor David Kepesh, protagonist of two 1970s works, The Breast and The Professor of Desire.

Events in Roth's personal life have occasionally been the subject of media scrutiny. According to his pseudo-confessional novel Operation Shylock (1993), Roth suffered a nervous breakdown in the late 1980s. In 1990, he married his long-time companion, English actress Claire Bloom. In 1994 they separated, and in 1996 Bloom published a memoir, Leaving a Doll's House, which described the couple's marriage in detail, much of which was unflattering to Roth. Certain aspects of I Married a Communist have been regarded by critics as veiled rebuttals to accusations put forth in Bloom's memoir.

In one of his most audacious books to date, The Plot Against America (2004), Roth imagines an alternative version of American history: What if Charles A. Lindbergh, aviator hero and isolationist had been elected U.S. president in 1940? In the imagined history that follows, Roth gives an account of a U.S. that negotiates an understanding with Hitler's Nazi Germany and embarks on its own program of anti-Semitism. It has been hailed as Roth's masterpiece. "[H]uge, inflammatory, painfully moving… It may well be his best, and it may well arouse more controversy than all the rest combined.… That Roth has written The Plot Against America in some respects as a parable for our times seems to me inescapably and rather regrettably true."[4]

Roth's 182-page novel Everyman, a meditation on illness, desire, and death, was published in May 2006.

Exit Ghost, which features his alter ego Nathan Zuckerman, was released in October 2007. According to the book's publisher, it is the last Zuckerman novel[5].

Indignation, Roth's twenty-ninth book, was published on September 16, 2008. Set in 1951 to the backdrop of the Korean War, it follows Marcus Messner's departure from Newark to Ohio's Winesburg College, where he begins his sophomore year.

人性的污点

罗斯在长达40余年的创作生涯中,总共发表了28部作品,赢得了大量的读者—也因为他的作品题材丰富,寓意深刻,常常涉及当代美国社会特别是犹太移民中最敏感最尖锐的问题如同化、异化,身份的背叛与回归,两代移民间的隔阂,道德观、价值观的变异等等。对这些问题的独立思考和大胆的揭示使他成了一个颇受争议的人物,再加上他作品中露骨的性描写,又给他带来了“色情作家”的非议。对他的小说赞赏有加的或嗤之以鼻的都大有人在,但一个不争的事实是,罗斯的知名度与日俱增,他的每一部作品都备受关注和热议,无论是文学评论家还是普通的读者都对他的创作充满了期待和热情,这种“雅俗共赏”的现象是当代文学中所少见的。
罗斯的创作,从艺术手法流变的一侧来看,大致可以分为三个阶段。
第一阶段从1959年到1969年。这10年中主要的作品有《再见吧,哥伦布》、《放任》(Letting Go ,1962 ) ,《当她顺利的时候》(When She was Good ,1967)和《波特诺的主诉》 ( Portnoy' s Complaint , 1969 ),这段时间基本上处于艺术上的现实主义阶段。
第二阶段为整个1980年代,这10年中的代表作品有《我们这一伙》(Our Gang ,1971)、《乳房》(Breast ,1972 )、《我作为男人的一生》(my live as a Man,1974 )以及1977年出版的《情欲教授》(The Professor ofDesire)等,这段时间罗斯的创作以模仿现代主义风格为主。
最后的第三阶段即以《鬼作家》(The Ghost Writer ,1979)为转折,走向了后现代主义实验写作的阶段,其风格更趋多样,甚至打破常规,杂揉各派,自出机杼。




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