英文电影简介（英语）

用英文介绍一部电影！~

1.Titanic （泰坦尼克号）
Introduction（简介）
The Royal Mail Ship TITANIC was the last grand dream of the Gilded Age. It was designed to be the greatest achievement of an era of prosperity, confidence and propriety. Although no one knew it, the world was about to change drastically. Radio had been invented in 1901. The Wright Brothers' first successful flight was in 1903. The old presumptions about class, morals, and gender-roles were about to be shattered. If the concept of Titanic was the climax of the age, then perhaps its sinking was the curtain that marked the end of the old drama, and the start of a new one.


2.冰河世纪:
20,000 years before, our planet is entering an ice age. All kinds of animals begin immigrating to the south, seeking more warm climates. Sid, a sloth who never stops talking is left behind sleeping while everyone else begins the journey to the south. Awaking, he meets Manny, a mammoth who travels to the north, and decides to follow him. When a humans camp is attacked by tigers, a woman takes her baby and jumps on a river. Before she drowns, the baby is rescued by Manny and Sid. The two animals decide to search for the father and return the baby to him. Diego, one of the tigers that attacked the humans, comes also claiming the baby.


3.阿黛拉的非凡冒险（短）
The story happened in 1912, o Della, dry white, a fearless female journalist. In order to save her sister, faraway places, even if all farris truly means to Egypt and various mummy launched matchups. As she will mummy carried to Paris, natural history museum, greater danger but in Paris afoot. The natural history museum in 100003600 million years ago only pterodactyl eggs, mysterious hatch. The whole city, enveloped in the terror of the sky. But nothing can stop o Della's footsteps, in her journey will uncover more incredible mysteries...


给了3篇备选的，不能再短了，不然就不全了...

第五元素的 其他的再等会
Every five thousand years, a door opens between the dimensions. In one dimension lies the universe and all of its multitude of varied life forms. In another exists an element made not of earth, air, fire or water, but of anti-energy, anti-life. This "thing," this darkness, waits patiently at the threshold of the universe for an opportunity to extinguish all life and all light.

Every five thousand years, the universe needs a hero, and in New York City of the 23rd Century, a good hero is hard to find.

One of today's most provocative and acclaimed filmmakers, director Luc Besson's works have captured the imaginations of filmgoers worldwide. His visually innovative style has marked the critically-acclaimed thriller The Professional, the exotic undersea adventure The Big Blue, the new wave thriller Subway and the seminal action film La Femme Nikita, the first major French blockbuster. Now, Besson teams with Bruce Willis, one of the most dynamic and successful actors of his generation, to take the science fiction film in a new and exciting direction.

Columbia Pictures presents The Fifth Element, a timeless story about love and survival, heroes and villains, good and evil, set in a strangely familiar yet intoxicatingly different 23rd Century.
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The title of The Fifth Element refers to the four elements of alchemic Greek tradition -earth, air, fire, and water. Four elements gathered together to create the fifth one: life. Besson conceived of this energy -- the energy used to talk, to engage in sports, even to think -- as an actual, living thing that never disappears, but spreads throughout the universe and beyond.

Though the acclaimed writer/director conceived of the story while still a teenager, he was unaware that the concept of a fifth element -- known in Moorish traditions as "Akasha" -- is deeply rooted in ancient mythology. Besson remembers: "When my father came across Plato's writings on the subject, he came to me with the book and said, 'Do you know that your movie is a remake?' I read it, and was amazed to see the similarities between what Plato had written and what I had put into the script."

In The Fifth Element, Besson posits the question: what if an opposite form of life existed in another dimension -- one not made up of life-energy, but a dark, cancerous embodiment of all that is evil? "The energy of life, and this other, evil life-form, are opposites, like fire and ice," Besson explains, "and the more of this life-energy we create, the more it irritates and provokes this other."

In the 23rd century of The Fiffh Element, humanity has wandered out among the stars, spreading this life-energy, and further agitating the dark being. "It feels as if we are asphyxiating it," Besson notes. "It is dying because of us. It wants to fight back, and extinguish every source of energy or light --animal, vegetable, human. But it has its own limitations: it is isolated in another dimension."

The dark being's time to strike back occurs only once every 5,000 years when a doorway between the parallel dimensions briefly opens. "At the very beginning of the movie," says Besson, "we show that a way was once found to fight this entity, but the years have passed, and the way is forgotten. When our story begins, he is back, and no one knows how to defeat him."

The setting in which this heroic quest drama unfolds is among the most fully-realized fantasy worlds ever committed to film, and certainly one of the most unique. "We looked at all of human history," says Besson, "in order to come up with what we think is a very possible scenario for humanity in the year 2259, which is when the story takes place -- to be very precise, the story begins on March 18, 2259, at 2 a.m. What will the evolution be? How will people live, and think? And how will that be reflected in the world? It seemed very important to me to create for this story a world that people can accept as a real possibility for the future."

The result is a menagerie of weirdly exotic aliens: hulking, armored creatures with incongruously small heads called the Mondoshawan who, despite their imposing presence, work on the side of good; and huge, doglike Mangalores -- an army of mercenaries in the service of Zorg (Gary Oldman), the agent of all that is evil. The filmmakers also created imagery of a brave, new Earth that has never been seen before, along with an array of fantastically-imagined vistas on other planets and our own.
未来水世界
In the future, the polar ice caps have melted, the world is covered by water, and everyone is left to fend for themselves as scavengers in a grim reality. This is Waterworld, and you'll be glad to know: even in this harsh realm, the women still shave their legs.

The most expensive movie ever made (the final word is $172 million), Waterworld will be a true monument in Kevin Costner's career. Unfortunately, this film isn't going to have quite the effect something like Dances with Wolves had. The bottom line is Waterworld is a marginal film: always extravagant, sometimes entertaining, often preachy and dull--a pure formula picture.

The story is time-tested and painfully simple. Costner plays The Mariner, a lone drifter on the watery surface of the earth who talks about his boat more than Forrest Gump. Jeanne Tripplehorn (The Firm) plays Helen, the love interest and the protector of Enola (Tina Majorino), a child with a strange tattoo which just may show the way to the mythical paradise of Dryland. The obligatory bad guy is The Deacon (Dennis Hopper), a slave driver/preacher with heavy artillery that acts a lot like, well, Dennis Hopper. I won't be the only one to say, "It's Mad Max on water."

Of course, The Deacon wants the kid. The Mariner wants to protect her and falls in love with Helen. So for 134 minutes, The Deacon chases the trio, turning up over and over and over, always out of nowhere (ever try to hide on the ocean?), and always being thwarted by The Mariner. Basically, it's Costner trying to be a superhero, swinging around on a lot of ropes and blowing up everything else.

This gets pretty old after awhile, especially since Costner looks more concerned with what's for dinner than what's on the screen. The other problems are innumerable: it's hard to figure out where the story is headed, the bad guys act like members of a bumbling Keystone Coast Guard, and a number of effects are obvious digital fakes. There are a few bright spots, but it ends up being a passable story with lackluster execution.

All the hype surrounding this film has really spoiled what there was to enjoy. If you see it, you'll probably be trying to figure out where all that money went, too (I only counted about $100 million). It's too bad; you'll need that brainpower just to figure out what's going on.

The Fifth Element
Every five thousand years, a door opens between the dimensions. In one dimension lies the universe and all of its multitude of varied life forms. In another exists an element made not of earth, air, fire or water, but of anti-energy, anti-life. This "thing," this darkness, waits patiently at the threshold of the universe for an opportunity to extinguish all life and all light.

Waterworld
Imagine a future without dry land. A future where the earth, covered in water, has evolved into a gritty, nautical society held together by determination and ingenuity. The inhabitants of this once-flourishing planet cling to life on incredible floating cities, their existence constantly threatened by Smokers-- bands of marauding pirates who roam the featureless surface of Waterworld.

Godzilla
A devastating, blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter with wicked speed. Ships off both U.S. coasts capsize and are dragged into an inexplicably roiling sea. On another part of the globe, giant footprints plow an ominous path through miles of Panamanian forests, Tahitian villages and Jamaican beaches. What is the source of all this mysterious, far-flung mayhem? Godzilla, the undisputed king of movie monsters, comes to the screen once again and is on a terrifying trek to the densely populated island of Manhattan, leaving a trail of ruin and panic in its awful wake and creating a ripple effect of profound and jaw-dropping destruction.

Fantastic Four
When an experimental space voyage goes awry, four people are changed by cosmic rays. Reed Richards, inventor and leader of the group gains the ability to stretch his body, and takes the name, Mr. Fantastic. His girlfriend, Sue Storm, gains the ability to turn invisible and create force fields, becoming the Invisible Girl. Her little brother Johnny Storm gains the ability to control fire, including covering his own body with flame, like a Human Torch. Pilot Ben Grimm is turned into a super-strong rocky Thing. Together, they use their unique powers to explore the strange aspects of the world, and to foil the evil plans by the likes of Doctor Doom, which is who the villain of this film will be. Even as they deal with the various threats that arise to threaten Earth's peace, the Four must also deal with the pressures of fame as the world's most famous superheroes, and the realities of being a super-powered family.

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