《功夫熊猫》的英文影评150个词~~~~急~~~~
《功夫熊猫》这种类型的电影,家长带着小朋友,热闹高兴地看一场电影,熊猫阿宝小时候的“萌”可以全面虏获大人和小孩,还有中国功夫、美食、友谊励志,包括最后回归家庭的传统教育,可谓什么都没耽误。但是这样看似简单的合家欢电影,其实包含着如今好莱坞电影工业的整体最高造诣,至少以中国电影工业的目前水平能拍出来的就只能从故事到画面都极其平面的《喜羊羊与灰太狼》,虽然在票房上也获得了巨大的成功,但是差距还是很明显。《功夫熊猫》是一个极其立体的作品,从故事到娱乐性到教育性,都是追求能最自然地让观众接受。
从阿宝在第一集的成为神龙大侠,到第二集的追寻身世和内心成长,《功夫熊猫》的最大特点是更彻底的中国元素化,和以往《花木兰》那种浅层次的隔山遥望完全不是一个层面。无论是中国观众耳熟能详的佛山无影脚,还是一听就感觉在过年的《春节序曲》,好莱坞创作团队在抓取中国元素上下了大功夫,据说这是深入中国大陆采风的效果。
不过在电影叙事手法上,《功夫熊猫2》又完全是西方体系,从一开始的故事铺垫,预言沈王爷要统治中原整个只有一个人能阻止他这样的开场,又是完全好莱坞式的让观众进入阿宝世界的叙述方法。而贯穿整个故事的追求内心的平静,又是非常东方的文化内核,阿宝悟出太极最高精髓的过程,也是中国功夫片经常运用的桥段,例如《霍元甲》、《少林三十六房》等等,主人公必须经过挫折,才能进入到自我反省的境界,从而进入功夫的更高境界。整个《功夫熊猫2》的整体掌控,可以说是时而东方时而西方,幕后团队使用了最准确的判断和创作,令故事取得了最完美的平衡,这是一个整体上的成功,不是能靠一两个小点子小创意就可以做到的。
《功夫熊猫》第一集的亮点是阿宝学功夫的段落,很有可看性,第二集的亮点是阿宝小时候的身世段落,使故事有了纵向的深入,并且小熊猫的动画设计也确实能“萌”倒所有人,也算是为熊猫这种动物又做了一次全世界性的形象定位。这样的动作被好莱坞做了,可能有些“好抵制者”又得说什么熊猫是我们的国宝为什么要被美国人拍,还来挣我们的钱,但这就是现实,有这个盲目抵制的时间,不如想想怎么先提升自己,别只知道拍一些生硬说教的作品。
It's the story about a lazy, irreverent slacker panda, named Po, who is the biggest fan of Kung Fu around...which doesn't exactly come in handy while working every day in his family's noodle shop. Unexpectedly chosen to fulfill an ancient prophecy, Po's dreams become reality when he joins the world of Kung Fu and studies alongside his idols, the legendary Furious Five -- Tigress, Crane, Mantis, Viper and Monkey -- under the leadership of their guru, Master Shifu. But before they know it, the vengeful and treacherous snow leopard Tai Lung is headed their way, and it's up to Po to defend everyone from the oncoming threat. Can he turn his dreams of becoming a Kung Fu master into reality? Po puts his heart - and his girth - into the task, and the unlikely hero ultimately finds that his greatest weaknesses turn out to be his greatest strengths.
《功夫熊猫》只有可爱不行么回头看这部《功夫熊猫》,从制作的角度讲毫无创举可言,依然是烂大街的“拟人化的动物(怪物)”,相比《超人总动员》探讨中年危机和自我认同危机、《赛车总动员》聚焦汽车文化和现代文明对传统的影响、《料理鼠王》用厨艺行业来针砭好莱坞电影界的时弊(餐厅=大制片厂,快餐=商业片,大师不会做饭的孩子=受惠于“好莱坞世袭制”的新生代,小老鼠=独立电影人,美食家=影评人),并无特异之处。但其聪明之处不在“熊猫”,在乎“功夫”。
“功夫”这个定语,貌似决定了角色设定、动作设计、洋溢着东方风情的背景甚至是配乐(酷似光荣公司的《三国志》),实则上述三者没一样跟“写实”沾边——“功夫”主题与其说代表中国文化,不如说是全方位回炉“香港功夫片”繁荣期的世界观、动作、故事格局——把老一辈男性观众曾经喜爱的“馅儿”,包上新生代青少年观众和女性观众均可无差别受用的“糖衣”,才是《功夫熊猫》最成功的算计、最狡猾的商业运作。
一旦洞悉到上述《熊猫》的实用主义本色,在钦佩梦工厂炒冷饭手腕的高超之余,小动物们也愈发可爱起来。仿佛是“香港功夫片的主题公园”:成龙倾情Cos美猴王、刘玉玲打扮成小丫环一样的美女蛇、表面上是安吉丽娜·茱莉/伊安·迈克肖恩配音而骨子里颇具李连杰气质的虎/豹、由杰克·布莱克代言搞怪其实分明脱胎于洪金宝的熊猫,外加“犹达大师范儿”和“龟仙人范儿”的两位大长老,……多么有利于吸引票房啊!!!
尽管《功夫熊猫》也试图让自己从“依靠包装取胜”的肤浅水平努力往“触及东方文明内涵”的方向上挖掘,但除去最终爆料的“无招胜有招”的太极思想灵光一瞥外,罕见其他成果。更多的看点则是梦工厂最拿手的戏仿噱头:监狱里横七竖八的楼梯可谓借鉴于《哈利·波特》、越狱戏在落石中腾挪系《蜘蛛侠》的翻版、长桥决斗来自《指环王》、灰尘中无数难民大逃亡克隆自《世界大战》,再加上无数模棱两可的《花木兰》、《卧虎藏龙》、《星球大战》桥段等等。即便是让不知情者感动不已的“恶搞自家片头”这招,亦不过去年底在皮克斯的《星际总动员》(WALL-E)的先行预告片里领教过的老套路。
——这就是《熊猫》为什么属于B级片的原因,本质乃一次对B级片的出色再包装,虽然也添加了A等佐料,但并没升华到更高的台阶。……可是这又怎么样呢!?“形式大于内容”的梦工厂动画,能可爱到这个份上已经足够!何况这是一部以搞笑和盈利为终极目的的动画片,在胜利完成既定目标的情况下,本应获得宽容对待。
从鹅爸爸讲述家族史到鸭子抬轿(换成小猪之后,鸭子们不仅没闪开、反倒像挂炉烤鸭一样倒掉在竹竿上……),从乌龟大师“没有偶然”的爆笑禅机到熊猫对浣熊的“超级模仿秀”,纵然“最终一指定乾坤被虚化处理,明显是为制作续集预留空间”的行径令人齿寒,但现在《功夫熊猫》发展成系列,俨然符合广大影迷的根本利益。
于是,为这样一部好玩的卡通写评论本身变得毫无必要性;同理,面对这样一部娱乐片叫嚣爱国主义乃至抵制好莱坞的自炒行为,不仅不着边际、毫无价值,而且恶毒得别有用心。我无法否认自己看得很开心;也无法否认如此有趣的商业片对于世界电影市场的意义;更不能否认带着“皮克斯>梦工厂”的有色眼镜,终究使我对本片没有爱。
Funny!
I see this movie lastweek,
So terrfic,this film make me loving Kung Fu!
My liitle sister love the panda very much ,She ask me which kind annimal of Panda?
I told her its one of the cutiest animal in the world ,it only lives in China.
In this movie, Panda learns how to improve his level of Kung fu,many scence show that this cartoon is so funny,
You can see how things goes on with laugh,
I recommend this film to you.!
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Funny!I see this movie lastweek,So terrfic,this film make me loving Kung Fu!My liitle sister love the panda very much ,She ask me which kind annimal of Panda?I told her its one of the cutiest animal in the world ,it only lives in China.In this movie, Panda learns ...
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我度盘有,需要的话留下邮箱或者百度云账户名,我发给你
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没有最后十分钟的剪辑,只有功夫熊猫2的完整版,百度云文件,可下载(安装云管家支持断点续传),可转存到自己的云空间里。可在线看。知道私信发地址,请留意~
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