问有什么美国电影中有经典的情侣或夫妻的争执对白

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有什么外国电影男女的经典对白?中英文对照~

肖申克的救赎》经典英文对白
The Shawshank Redemption
1.Fear can hold you prisoner. Hope can set you free. A strong man can save himself. A great man can save another.
懦怯囚禁人的灵魂,希望可以感受自由。强者自救,圣者渡人。
2.I guess it comes down to a simple choice:get busy living or get busy dying.
生命可以归结为一种简单的选择:要么忙于生存,要么赶着去死。
3.Hope is a good thing, maybe the best of things, and no good thing ever dies
希望是美好的,也许是人间至善,而美好的事物永不消逝.
4."some birds aren't meant to be caged, that's all. Their feathers are just too bright..."
有的鸟是不会被关住的,因为它们的羽毛太美丽了!
5.These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That`s institutionalized.
监狱里的高墙实在是很有趣。刚入狱的时候,你痛恨周围的高墙;慢慢地,你习惯了生活在其中;最终你会发现自己不得不依靠它而生存。 这就是体制化。
6.I find I`m so excited. I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border, I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
我发现自己是如此的激动,以至于不能静静地坐下来思考,我想只有那些重获自由即将踏上新征程的人们才能感受到这种即将揭开未来神秘面纱的激动心情。我希望跨越千山万水握住朋友的手;我希望太平洋的海水如同梦中的一样蓝;我希望......
7.There`s not a day goes by I don`t feel regret. Not because I`m in here, or because you think I should. I look back on the way I was then. Then a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can`t. That kid`s long gone and this old man is all that`s left. I got to live with that. Rehabilitated? It`s just a bullshit word. So you go on and stamp your form, sorry, and stop wasting my time. Because to tell you the truth, I don`t give a shit.
我无时不刻地对自己的所作所为深感内疚,这不是因为我在这里(指监狱),也不是讨好你们(指假释官)。回首曾经走过的弯路,我多么想对那个犯下重罪的愚蠢的年轻人说些什么,告诉他我现在的感受,告诉他还可以有其他的方式解决问题。可是,我做不到了。那个年轻人早已淹没在岁月的长河里,只留下一个老人孤独地面对过去。重新做人?骗人罢了!小子,别再浪费我的时间了,盖你的章吧,我没什么可说的了。

故事背景
人物性格
对话环境


《阿甘正传》

阿甘,一个智商75的个体,其独特生活体验,让世人明白了什么叫做真诚和执著。阿甘的人生真理Stupid Is As Stupid Does也近乎至理名言。阿甘这部影片带给我们的除了心灵上的冲击和震撼、如何做一个The Ideal Cttizen For The Modern World-A Perfect Idiont的思考,还有其精彩的剧本语言。我们在此仅做简单剖析,以飧读者。

例一:

Mrs.Gum p: Forrest, I told you not to bother this nice young man.

Elvis Presley: No, that's all right ma'am. I was just showing him a thing or two on the guitar here.

这是猫王和阿甘的母亲所进行的一个简短对话。也许你还会记得阿甘在这个场景里可笑的舞姿,其实这正是猫王以后赖以成名的招牌动作。黑体语言是现实生活里外国人经常使用的日常英语词汇。这个短语的意思是基本的,入门的。使用这种类型的电影短语,可以使我们的表达更加生动、地道,富有生命力。

例如:Let me show you a thing or two on how to play the piano.

例二:

Jenny: Run, Forrest! Run!

Forrest: Now, it used to be, I ran to getswheresI was going. I never thought it would take me anywhere.

以上黑体部分是阿甘在发现自己的奔跑能力后说的一句话。它的意思是我从没有想到跑步会跑出什么名堂来。这个结构是国外人士经常使用的,而中国学习者可能很少见到。

例如:Stop being this way, it won't take you anywhere, believe me!相信我,这样是没有用的。

Mary firmly believe in being on diet insgroupsto lose some weight, but I don't think it will take anywhere as long as she keeps sitting there hours all the time.

玛利坚信节食减肥法,但是我认为她只要还是整天只坐着而不运动,这就没有用的。

例三:

Boy friend: what the hell is going on here? Who is that?

Jenny: Billy, I'm sorry.

Billy: Get away from me.

Jenny: Don't go.

Billy, wait a second. He does not know any better. Forrest! Why you do that?

电影语言的最大特点就是真实。而以上这个例子里,JENNY因为阿甘动手打了她的男朋友,而被男朋友所抛弃。她极力的解释:他什么也不懂。(他是个愣头青)。这个表达法在初次看到的时候似乎没有什么特别的。但是其实它并不简单。要领悟到其隐含的意思并不容易。然而一旦领悟了,要想灵活使用,就不是什么难事了。

在电影里,这样简单易学的地道表达法随处可见。

《毕业生》

和《阿甘正传》不同,电影《毕业生》则是从另一个角度反映了美国社会的情况。电影主人公是一个前途辉煌的年轻人,BENG JINMING。他出身显赫,年轻气盛,但却在毕业后迷失了人生方向,并由此产生了一段爱情故事。这部电影揭示了当时美国社会所带给人民的彷徨和迷茫,尤其是给年轻一代的困惑。影片的语言简洁,明了,又非常的实用。非常值得语言学习者观赏和效仿。让我们一同来感受一下吧。

例一:

Ben: I drove Mrs. Robinson home. She wanted me to drive her home so I drove her home.

Mr. Robinson: Swell. I appreciate it.

Ben: She's upstairs. She wanted me to wait down here till you got home.

Mr. Robinson: Standing guard over the old castle, are you?

在电影英语里,有很多的文化性的表达法出现,这些表达法充分的反映了语言的生命力,也正是我们要通过电影学习地道英语的重要原因之一。在以上所举的例子里,Mr. Robinson夸奖Ben非常的有绅士风度,使用了一个我们所不熟悉的表达法。但是由字面的意思看去,我们恍若回到中世纪,见到那时的骑士城堡外为自己的心上人守夜,以表示对她的忠诚,由此使我们不由地想起了中文里"护花使者"的表达。这样的话,聪明的你当然知道怎么使用这个短语了。

例二:

Mrs. Robinson: Insgroupsto keep Elaine away from you,I am prepared to tell her everything.

Ben: I don't believe you.

Mrs. Robinson: Then you'd better start believing me.

Ben: I just don't believe you would do that.

Mrs. Robinson: Try me.

在这个例子里,我们可以感到语气对口语表达的重要性。Mrs. Robinson威胁Ben要告诉自己的女儿他和她的婚外恋。而Ben不相信,因此Mrs. Robinson用了威胁的语气恶狠很的说道:你试试!

我们看到,看似简单的Try me原来有如此的威力,让人不寒而栗。其实这是电影场景所起的作用。大家可以通过视觉效果观察出并听出很多以前没有注意到的对于口语很重要的语言素材。

电影的视觉效果和声音资料,会对大家语言综合能力的提高有极大的帮助。我们可以感受到电影英语语言的生活化和真实性。不要犹豫,按照我们的方法,去看电影、听电影、说电影吧。

<乱世佳人>:

(希礼离开了大厅,原本想带瑞德四处走走。但就在这时,思嘉把他叫进了旁边的小房。)

思嘉:希礼!

希礼:思嘉,你在这儿躲谁呢?你想干什么?你为什么不和别的女孩一样在楼上休息呢?怎么?思嘉,什么秘密呀?

思嘉:噢,希礼,希礼,我爱你……

希礼:思嘉……

思嘉:我爱你,真的。

希礼:今天你取得其他所有男人的心这还不够吗?我的心总是你的。

思嘉:不要再耍弄我了。我得到你的心了吗?亲爱的?我爱你,我爱你……

希礼:你千万不要再说了。你会因为我听到这些而恨我的。

思嘉:我永远也不会恨你。我知道你一定是在乎我的,是不是?

希礼:是,我在乎。噢,我们走吧,忘掉这些吧。

思嘉:但是我们怎么能那样呢?你难道不是,难道不是想娶我吗?

希礼:我要和媚兰结婚。

思嘉:但你不能,只要你在乎我就不能。 希礼:噢,亲爱的,为什么你一定逼我说出伤害你的话呢?

我怎么才能让你明白呢?你这么小,你根本不知道什么是婚姻。

思嘉:我知道我爱你,我想做你妻子,你不爱媚兰。

希礼:她就象我一样,思嘉。她是我生命的一部分。我们相互十分理解。

思嘉:但你爱我!

希礼:我怎么能不爱你呢?你有我缺乏的生命热情。但这种爱不足以让你我如此不同的两个人成就一次成功的婚姻。

思嘉:那你怎么不说了?胆小鬼?不敢娶我,你宁可娶那个只会说"是"或"不是"的傻瓜结婚。然后生一堆她那样面青唇白的傻孩子。

希礼:请你不要这样说媚兰。

思嘉:你是谁,敢命令我?你骗我,让我相信你会娶我。

希礼:思嘉,公平点.我从来没有……

思嘉:你是这样的,没错!我恨你到死。真不知该怎么骂你!(希礼离开房间,思嘉恼怒地将一只花瓶扔向墙壁。破碎声惊动了沙发上的瑞德,他坐起身来。)

Ashley leaves the hall with intention of walking Butler
around the house. But before he can do this, Scarlett calls him into a
detached room.) SCARLETT: Ashley!
ASHLEY: Scarlett...who are you hiding from here?...What are you
up to? Why aren't you upstairs resting with the other girls? What is
this, Scarlett? A secret? SCARLETT: Well, Ashley, Ashley...! love
you. ASHLEY: Scarlett... SCARLETT: I love you, I do.
ASHLEY: Well, isn't it enough that you gathered every other man's
heart today? You always had mine. You cut your teeth on it.
SCARLETT: Oh, don't tease me now. Have I your heart my darling?
I love you, I love you... ASHLEY: You mustn't say such things.
You'll hate me for hearing them.
SCARLETT: Oh, I could never hate you and, and I know you must
care about me. Oh, you do care, don't you? ASHLEY: Yes, I care. Oh
can't we go away and forget we ever said these things?
SCARLETT: But how can we do that? Don't you, don't you want to
marry me? ASHLEY: I'm going to marry Melanie. SCARLETT: But
you can't, not if you care for me.

ASHLEY: Oh my dear, why must you make me say things that will
hurt you? How can I make you understand? You're so young and I'm
thinking, you don't know what marriage means.
SCARLETT: I know I love you and I want to be your wife. You don't
love Melanie.
ASHLEY: She's like me, Scarlett. She's part of my blood, we
understand each other. SCARLETT: But you love me!
ASHLEY: How could I help loving you? You have all the passion for
life that I lack. But that kind of love isn't enough to make a successful
marriage for two people who are as different as we are.
SCARLETT: Why don't you say it, you coward? You're afraid to
marry me. You'd rather live with that silly little fool who can't open
her mouth except to say "yes", "no",and raise a houseful of mealy-
mouthed brats just like her! ASHLEY: You mustn't say things like
that about Melanie. SCARLETT: Who are you to tell me I mustn't?
You led me on, you made me believe you wanted to marry me!
ASHLEY: Now Scarlett, be fair. I never at any time... SCARLETT:
You did, it's true, you did! I'll hate you till I die! I can't think of
anything bad enough to call you... (Ashley leaves. Scarlett throws a
vase to the wall in anger. The crashing of the vase startles Rhett
Butler. He rises up from the couch in a dark corner of the room.)
RHETT: Has the war started?
SCARLETT: Sir, you...you should have made your presence known.

RHETT: In the middle of that beautiful love scene? That
wouldn't have been very tactful, would it? But don't worry.
Your secret is safe with me.
SCARLETT: Sir, you are no gentleman.
RHETT: And you miss are no lady. Don't think that I hold
that against you. Ladies have never held any charm for
me.
SCARLETT: First you take a low, common advantage of
me, then you insult me!
RHETT: I meant it as a compliment. And I hope to see
more of you when you're free of the spell of the elegant
Mr. Wilkes. He doesn't strike me as half good enough for
a girl of your...what was it...your passion for living?
SCARLETT How dare you! You aren't fit to wipe his boot!
RHETT: And you were going to hate him for the rest of
your life.

其实你是想看争吵的背后吧
尼古拉斯 凯奇《天气预报员》最符合要求的
天生杀人狂 和 加州杀手(不喜欢暴力就别下了)
史密斯夫妇(身体语言)

克莱默夫妇

Kramer vs. Kramer

精彩对白:

[Joanna is leaving Ted]

Ted Kramer: Come on now, what about Billy?

Joanna Kramer: I'm not taking him with me. I'm no good for him. I'm terrible with him. I have no patience. He's better off without me.

Ted Kramer: Joanna, please.

Joanna Kramer: And I don't love you anymore.

Ted Kramer: Where are you going?

Joanna Kramer: I don't know.

诺丁山。
William enters. He's unhappy for her. She's almost dressed.

WILLIAM
How are you doing?

ANNA
How do you think I'm doing?

WILLIAM
I don't know what happened.

ANNA
I do. Your furry friend thought he'd
make a buck or two telling the papers
where I was.

She's packing.

WILLIAM
That's not true.

ANNA
Really? The entire British press just
woke up this morning and thought 'Hey --
I know where Anna Scott is. She's in
that house with the blue door in Notting
Hill.' And then you go out in your
goddamn underwear.

SPIKE
(dropping in)
I went out in my goddamn underwear too.

WILLIAM
Get out, Spike.
(he does)
I'm so sorry.

ANNA
This is such a mess. I come to you to
protect myself against more crappy
gossip and now I'm landed in it all
over again. For God's sake, I've got
a boyfriend.

WILLIAM
You do?

It's a difficult moment -- defining where they stand.

ANNA
As far as they're concerned I do. And
now tomorrow there'll be pictures of
you in every newspapers from here to
Timbuktu.

WILLIAM
I know, I know -- but... just -- let's
stay calm...

ANNA
You can stay calm -- it's the perfect
situation for you -- minimum input,
maximum publicity. Everyone you ever
bump into will know. 'Well done you --
you slept with that actress -- we've
seen the pictures.'

WILLIAM
That's spectacularly unfair.

ANNA
Who knows, it may even help business.
Buy a boring book about Egypt from the
guy who screwed Anna Scott.

She heads out.

INT. STAIRS/LIVING ROOM - DAY

WILLIAM
Now stop. Stop. I beg you -- calm down.
Have a cup of tea.

ANNA
I don't want a goddamn cup of tea. I
want to go home.

The doorbell goes.

WILLIAM
Spike, check who that is... and for
God's sake put some clothes on.

Spike leans merrily out of the window.

SPIKE
Looks like a chauffeur to me.

INT. WILLIAM'S KITCHEN/CORRIDOR - DAY

They move from the kitchen into the corridor.

ANNA
And remember -- Spike owes you an
expensive dinner. Or holiday --
depending if he's got the brains to get
the going rate on betrayal.

WILLIAM
That's not true. And wait a minute...
this is crazy behavior. Can't we just
laugh about this? Seriously -- in the
huge sweep of things, this stuff
doesn't matter.

SPIKE
What he's going to say next is -- there
are people starving in the Sudan.

WILLIAM
Well, there are. And we don't need to
go anywhere near that far. My best
friend slipped -- she slipped down-
stairs, cracked her back and she's in a
wheelchair for the rest of her life.
All I'm asking for is a normal amount
of perspective.

ANNA
You're right: of course, you're right.
It's just that I've dealt with this
garbage for ten years now -- you've had
it for ten minutes. Our perspectives
are different.

WILLIAM
I mean -- today's newspapers will be
lining tomorrow's waste paper bins.

ANNA
Excuse me?

WILLIAM
Well, you know -- it's just one day.
Today's papers will all have been
thrown away tomorrow.

ANNA
You really don't get it. This story
gets filed. Every time anyone writes
anything about me -- they'll dig up
these photos. Newspapers last forever.
I'll regret this forever.

He takes this in. That's the end.

WILLIAM
Right. Fine. I will do the opposite,
if it's all right by you -- and always be
glad you came. But you're right -- you
probably better go.

She looks at him. The doorbell goes again. She opens the door.
Massive noise and photos. Outside are her people, including
Karen, a chauffeur, two bodyguards. And then the door is shut
and they're all gone. Silence.

经典 罗斯夫妇的战争


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以晴复欣: 泰坦尼克号

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