求一篇写 哈利波特 的我最喜欢的书 或电影 要写理由 急用

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求一篇英语作文.我最喜欢的书《哈利波特》为什么吗喜欢他说名理由~

This book provides pretty much everything we've been promised from the outset: an ending, and a satisfying one at that -- but not without its price. Many die, not just the two Rowling mentioned in so many interviews. Many beloved characters die, and some of them die "off screen" as it were, so that we as readers aren't even privy to the details of their deaths, or their final moments of life. Some of these deaths will bring tears to the eyes of any loyal Potter devotee, I've no doubt of that. But as for the main death, the one so many have wondered about? Well, that's where Rowling falls back on a few too-worn literary devices, and where she loses one of her stars.

I found this book to be far too full of easy short cuts and simplistic cliches to give it five stars. Far too many times, Harry and his friends were "mysteriously" saved at the last minute. And the real answers to these so-called mysteries will fall much more easily into the hands of die-hard Potter fanatics who've spent hours studying the books and pouring over the fan sites than they ever do into the hands of the characters themselves. This is too often frustrating. Perhaps it's unfair to criticize or punish Rowling for the perseverance and intelligence of her fans, but the fact is that many of her secrets have been guessed. In fact, the few that haven't seem only to surprise because Rowling conveniently has them pop up for the first time in this book. Magical objects we've seen many times before suddenly have new and useful -- and VERY convenient -- magical properties. People we've only heard of have convenient new information and relevance to the plot.

She lost the other star because of omissions. Unexplained (and again, very convenient) plot twists, otherwise known as plot holes, are all over the book. A book this long that purports to be the end of an epic series should not have this many plot holes and inexplicable events. (None of which I can go into detail about without giving up major spoilers -- sorry.) And most damning of all, when some of the plot holes are explained, it's done in a manner resembling what the brilliant movie "The Incredibles" referred to as "monologuing" -- when one character (usually the bad guy) sits around explaining the whole plot and nothing bad happens to the good guys while all these lose ends are conveniently tied up. For some reason, the villain, no matter how vicious he has been throughout the story, always conveniently waits to attack until the hero's had plenty of time to get all the answers he needs to defeat the bad guy. The only change Rowling makes to this shopworn device is that she does it via magical means. (Though in her case, the magical mean in question is the Pensieve -- something shopworn in and of itself, considering the number of times it's now been used in this series to convey crucial information.) I was also sorely disappointed to realize that she left out a number of things she practically promised fans would be included in this book. For instance, many fans have asked her what Harry's parents did for a living. She always said she couldn't tell us because it would be too big a plot spoiler for the upcoming novels. Well, now the novels are all finished and we still don't know. Why didn't she include that in this final book, if it really was supposed to matter so much? And why did she leave so much crucial information out of her far too short epilogue?

There is no doubt that in Harry Potter Rowling has created a brave and endurable hero, one who will linger in the hearts and minds of readers for generations to come. But in this humble reader's opinion, she has also created one for whom the struggle ended a bit too quickly and easily, of whom too many things are left unknown, and for whom answers and help came too readily and too conveniently in the end.

Then again . . . maybe I just wanted it to last a little longer. Because it's over now, and nothing like Harry Potter is ever happening to this humble reader again.

Harry James Potter is the title character and the main protagonist of J. K. Rowling's Harry Potter fantasy series. The books cover seven years in the life of the lonely orphan who, on his 11th birthday, learns he is a wizard. He attends Hogwarts School of Witchcraft and Wizardry to learn magic. Under the guidance of the kindly headmaster Albus Dumbledore, Harry discovers that he is already famous in the wizarding world, and that his fate is tied to Lord Voldemort, the evil wizard who killed his mother and father, and who supposedly died when he tried to fatally curse baby Harry------来自百度文库,可以接受么?不能接受我可以帮你手写一篇,

  好书伴成长——我读《哈利波特与死亡圣器》有感
  今年夏天,在长鸣的蝉声中,我看完了《哈利波特》系列中的最后一本——《哈利波特与死亡圣器》,看完之后,我不禁深深爱上了这本书。当然,在读书的过程中,我也产生了不少学习心得。下面,我就与大家分享一下我的心得。
  哈利波特,一个刚刚成年的巫师,与他的两个好朋友罗恩韦斯莱和赫敏格兰杰一起,肩负了一项由魔法学校校长邓布利多在临终之前交给他们的重任——找到魔法世界中最大的恶魔伏地魔的魂器(魂器是一种储藏了人的部分魂灵的容器,是一种非常邪恶的魔法,有魂器在,人永远不能真正死亡)并销毁它们。然后打败伏地魔,为人民除害。然而,狡猾的伏地魔将他的七个魂器分别藏在了最隐秘的地方,单单是找魂器这一项任务就让哈利他们吃尽了苦头。在经历了非法闯入魔法部,朋友之间的误会与解除误会,被捕,死亡之后,哈利与他的朋友们终于销毁了所有的魂器,打败了伏地魔,魔法世界终于迎来了久违的平静。
  《哈利波特与死亡圣器》这本书之所以这样深受我的喜爱,不仅是因为这本书天马行空般的构思与精致优美的语言,更因为它所体现的人性中的善与恶,真与假,宽容与狭隘,勇敢与懦弱的碰撞。哈利波特,一个仅刚刚成年的巫师,面对一个惨无人道,法术高强的黑巫师,大恶魔,在法术的较量上胜出几率几乎为零。但在别的方面,他却有伏地魔所不知道神奇的力量。他善良,诚恳,懂得宽容与体谅人。最重要的,他有一颗爱别人与被别人爱的心。下面我就举个简单的例子来讲伏地魔与哈利二人对比一下:
  与哈利一起寻找魂器的朋友罗恩韦斯莱由于忍受不了艰苦的环境与漫无目的的寻找魂器的过程(说它漫无目的,是因为伏地魔太狡猾了,哈利他们根本不知道他藏魂器的确切的地点)而与哈利发生了激烈的争吵,在一气之下离开了他们。后来,罗恩由于内心的愧疚和对哈利他们的放心不下,又回到哈利的身边。对此,哈利大度地原谅了罗恩,认为罗恩的心理是在他们一连好长时间毫无进展的情况下而产生的一种正常的心理。后来,正是由于罗恩在哈利与伏地魔的战斗中对哈利的大力协助,哈利才得以取得了最后的胜利。
  而伏地魔呢?当他得知他存放魂器(七个中一个魂器)的古灵阁(相当于巫师银行,只不过由妖精来掌管)地下金库被盗,而失踪的东西正好是他的魂器时,勃然大怒,竟然将看守古灵阁的妖精连同几十个原本与此事无关的巫师全杀了。由这一点就可以看出,哈利波特的胜利并不是因为运气。有很多时候,决定胜败的不是法力,不是实力,不是能力,而是人身上所表现出来的各种美好的品德。它们才是决定胜败的重要因素。
  另外,在说到勇敢与懦弱的对比中,我又不得不提到书中的两个人——西弗勒斯斯内普与小矮星彼得。他们两个都是食死徒(食死徒是伏地魔的忠实走狗),只不过斯内普由于心中有爱,他的同情心与爱心还未泯灭,所以他在关键时刻冒着生命危险弃暗投明,作为一个正派巫师的卧底,帮助哈利消灭了魂器,打败了了伏地魔;而小矮星彼得呢?他为了让一个比他强大的巫师“保护”他,不惜昧着良心将哈利的父母,自己的朋友出卖给伏地魔,使他们悲惨地死在了伏地魔的手下,同时也使哈利遭到了杀生之祸。虽然二人的结局都是一死(斯内普被伏地魔因为一根魔杖而杀死,小矮星彼得自杀),但斯内普在死后得到了哈利极大的敬重(由于哈利并不知道斯内普的卧底身份,所以他和斯内普一直有误会),也得到了所有读者的敬重;而彼得呢?不用说,自然是被人们所唾弃,谩骂的了。因此,我不得不说,古人所说的“人固有一死,或重于泰山,或轻于鸿毛”这两种截然不同的评价,有时就是一个人敢不敢勇于追求正义,崇尚人见光明的结果。
  通过看《哈利波特与死亡圣器》,使我的心灵得到了极大的洗礼,让我看清了什么是真、善、美,什么是假、恶、丑。在这本书的感召下,我也要决心做一个善良的,有爱心的,懂得宽容与忍让的人。因为我知道,只有这样的人,才能在与他人的竞争、相处中,立于不败之地。
  (这是我自己写的,请过目)

读完了《哈利波特》的最后一本:死亡圣器。有个想法浮现出来:“一切圣贤,皆因无为法而有差别。”带点魔幻神奇色彩的事物一直都挺能吸引我。

为什么?因为能和其中的某种东西产生共鸣。这种东西就是:除了我们感知到的面貌之外,世界还另有面貌。或者说,我们所感知到的面貌,其实,并非世界的面貌。或者说,我们所感知到的世界,其实并非如此这般的世界。因为这点共鸣,所以,就把哈里波特系列一直读下来了。

在这本“迎合世俗,并不深刻”的通俗魔幻小说里面,看到了什么呢?当然,首先看到常识世界之外,另有无数“平行”的世界,而它们都是合而为一的,所以说,它们是“重叠的”,也没有错。很多“麻瓜(凡夫)”认为不可能的事情,疯狂的,怪诞的,其实,都是合理而符合逻辑的。

相对于我们从未认识到的领域来说,我们所认识到的,其实,沧海一粟,非常狭隘。我们其实不知道事情为何发生,以及究竟如何发生。但在我们内心,始终潜伏着一个声音:有种力量,能够凌驾于这一切之上。那种力量,在小说中表现为魔法,在现实中表现为权力、科技,或者,神通,诸如此类。

因为我们内心的深处,始终感觉到这个魔幻世界的存在,这种魔法力量的存在,所以,那么多人会喜欢魔幻小说。——那么多人,其实都知道,我们就是魔法本身。只是,并不知道,我们自己全都知道这一点。

然后,还看到了牺牲。为了他人的利益而彻底牺牲自己,放弃一切,进入死亡,这种行为具有非常不可思议的力量,乃至世界上最强悍的魔法,都对它无可奈何。可以说,这种行为具有“催伏一切恶魔”的力量。即使是触及到这样一种念头,这样一种潜质,也能令强悍的恶魔觉得非常虚弱,不能忍受。事实上,哈里波特就是靠这种力量生存下来,并且战胜了强大的对手的。在最后决战的生死关头,他一次选择了不加抵抗地死亡,一次选择了“除你武器”的和平咒语。他选择了不伤害。结果,他战胜了每次都选择索命恶咒的魔头。而那个魔头也并不死于哈里波特的魔法技术,而死于自己的伤害之心发出的恶咒,害人就是害己。这里又一次重复了这个古老的故事。这故事被说过很多遍,但几乎所有的人,特别是我,都并不真的相信,尽管也有所相信。 再然后,还看到了对死亡的恐惧,对永生的渴望。七个魂器的出现和毁灭,说明“追求永生”的行为会障碍本有的灵性,分割整体,并且,也将最终破灭,而三件死亡圣器:最强大的死亡魔杖、复活石、隐形衣,都有很深的象征意义,虽然作者未必是刻意让它具有这些象征意义的。
但作品其实也都并非作者所写的,它来自超越作者表面的更深处,最后,哈里波特成为三件圣器的主人。他的选择是:只留下父亲传下来的隐形衣。——那是真正能战胜死亡的东西:让别人进入死亡,或者走出死亡,这种权力非常强大,但并不能带来如期的效果。最后,真正能够战胜死亡的,是放弃这种权力,并且“隐形”。
“隐形”这个魔法词汇,其实底蕴深邃。它意味着从现象的世界隐没,也意味着,隐藏在现象之中。能从现象的世界中出离,并因为出离而发现隐藏在现象之中的秘密,这才是战胜死亡的最后那件圣器。
古往今来,有数不胜数的故事说到“隐形”。而且,在中国,很多知识渊博的人,有强烈的心愿希望“归隐”。这都是一种意思的不同表述。从这个角度来说,哈里波特毁灭魂器(其中一个就是他自己的身心),选择隐形衣的过程,就是修道觉悟的过程。在这个过程中,放弃一切的死亡,是必然经历的课程,——而且,需要反复经历。反复很多次,无数次。就像我们每一个人,都曾经无数次地经历。——直到,毕业为止。
哈利波特和伏地魔之间那种“双头鸟”式的命运关联,也是很有意思的。它让我想到“共命之鸟”这个词。事实上,所有的生命都是“共命之鸟”,都有两个头。一个头只喜欢吃有毒的东西,毒死自己,也毒死另外一个头。而另外一个头,只吃香美洁净的东西,并且一心要拯救另外一个头。两者共有一个身体。这基本上也就是凡夫和阿弥陀佛,和诸佛菩萨之间的那种关系,或者说,也就是“三身”之间的那种关系。

作者在书写故事的时候,很多东西并非刻意“构思”出来的。其实在写作之前,早已本能地“知道”这一切。所谓写作,只是让它流淌到表面上来,如此罢了。事实上,凡是看上去并不拙劣的东西,都不是“构思”出来的,而是“本来就知道”的。作者“本来就知道”,读者也“本来就知道”,所以,当它表述出来的时候,双方就能产生共鸣,“他写出了我心里的某种东西!”而这就是写作和阅读之所以出现并存在的基础原理 :本然。符号主义认为,一切艺术创作的基本功能都是“指向”。指向某种非常深邃的古老的模糊的记忆,指向我们本来就是的,那样东西。那个“一”。


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