英语作文参考

作者&投稿:嵇琰 (若有异议请与网页底部的电邮联系)
求写一篇英语作文作参考~

Some of us takes into account that it is reasonable for teachers to do this.On one hand,teachers can improve themselves by taking the exams so that they are able to teach students better.On the other hand,teachers and their students can communicate with each other better from mow on.what's more,they can help each other in the future.
On the contrary,others oject to the advice.they think that it is teachers' duty to teach students instead of things which are not related to students ,for the ability of test is not equal to that of teaching.and if teachers take exams with the student ,students will suspect the ability of teachers if they can't get enough points.
In my opinion ,it is of great insignificance of the suggestion.teachers and students can benefit from it themselves

Ann is one of my friends. She is my classmate. She always dress in blue. I don’t known whether is because of her that my favorite color is blue. She is cute and naive. Our teachers always praise her in front of the class for her excellent study and great personality. I like stay with her. So does she. She likes drawing pictures. To be a painter in the future is her dream. I know she will realize her dream on day.
安是我其中一个朋友。她是我的同学。她总是穿蓝色的衣服。我不知道是否是因为她,我最喜欢的颜色是蓝色。她很可爱也很单纯。我们老师总是在全班面前表扬她,因为他优异的学习和良好的性格。我喜欢和她待在一起。她也喜欢和我待在一起。她喜欢画画。她的梦想是将来成为一个画家。我知道总有一天她可以实现她的梦想。

爱迪生(1847~1931)Edison,Thomas Alva

美国发明家。以创办工厂实验室、开辟使技术开发与科学研究紧密结合的途径而名垂史册 。1847 年2月11日生于俄亥俄州的迈兰的一个荷兰移民家庭。1931年10月18日于新泽西州西奥兰治逝世 。幼时只受过3个月正规教育 。12岁起做过报童、小贩、报务员等以自谋生计。因受M.法拉第的影响,一生从事电学实验研究和发明。1868年他发明了一台选票记录仪想推销给国会,但没有被采用。爱迪生的第一项发明没有找到市场使他更注意发明的实用性。1869年,爱迪生由波士顿移居纽约。他改进了金指示器电报公司的电报机,得到公司经理的赏识 ,受聘月薪300美元( 这在当时是很高的月薪 )。1870 年 ,移居新泽西州 ,开始他的高效发明时期 。1874年改进了打字机 。1876年 ,给A.G.贝尔发明的电话加装了炭粒话筒,提高了受话的声响。

1876年,创办了他著名的实验室。在这个实验室里,他 打破了以往科学家个人独自从事研究的传统,组织一批专门人才(包括N.特斯拉等人),由他出题目并分派任务,共同致力于一项发明 , 从而开创了 现代科学研究 的正确途径 。1877年,发明了留声机,这使他名扬四海。1878年,开始白炽灯的研究,在十几个月中经过多次失败后,于1879年10月21日成功地点亮了白炽炭丝灯,稳定地点亮了两整天。1882年,在纽约珍珠街创办世界第二座公用火电厂,建立起纽约市区电灯照明系统,成为现代电力系统的雏形。电照明的实现,不仅大大改善了人们生产劳动的条件,也预示着日常生活电气化时代即将到来。1883年,爱迪生在试验真空灯泡时,意外地发现冷、热电极间有电流通过。这种现象后来称为爱迪生效应,成为电子管和电子工业的基础。1887年,移居西奥兰治,并于同年在该市创建规模更大、装备也更新的实验室,即著名的爱迪生实验室(后人称之为发明工厂)。在这里,根据G.伊斯曼的发明,制作了自己的照相机。1914年 ,用留声机和照相机制成了最早的有声电影系统。晚年,他的发明和革新包括蓄电池、水泥搅拌机、录音电话、双工式和多工式电报系统、铁路用制动器等。第一次世界大战期间,他任海军技术顾问委员会主席,指导鱼雷和反潜设备研究,发明了几十种武器。为此,美国政府于1920年授予他卓越服 务奖章 , 法国政府授 予他军团荣誉勋位 。1928年,美国国会授予他荣誉奖章。终其一生,爱迪生和他的实验室共获1093项发明专利权。爱迪生一生发明众多,但他毕竟缺乏系统的科学知识 ,因而对现代技术的发展不能作出正确判断。19世纪末,交流输电系统已经出现,但他仍坚持直流输电,并在与G.威斯汀豪斯发生的激烈竞争中丧失了承建尼亚加拉水电站的合同 ;他的实验室盲目试制磁力选矿设备,耗尽了发明电灯所得的资金,最后不得不放弃。但是,爱迪生在电力开发、电器制造推广电能应用等方面所作的贡献,使他成为人类历史上最伟大的发明家之一。

Edison (1847~1931) Edison,Thomas Alva American inventor. To the creation of factory laboratories, technology development and to open up avenues of scientific research in close connection with the name lowered history. February 11, 1847 in the Ohio Mailan a Dutch immigrant family. October 18, 1931 in New Jersey Xiaolan in death. Produced only three months of formal education received. 12-year-old has done Bao Tong, hawkers, Rapporteur, to fend for themselves. Because M.
Faraday effect in life science research experiments and inventions. In 1868 he invented a recording device to sell to Taiwan votes Congress, but has not been used. Edison first invented so that he did not find the market more attention to the relevance of the invention. 1869, Edison moved to New York from Boston. He improved the indicators cable companies telegraph, the recognition by the manager of the company, employed 300 US dollars monthly salary (which at the time was very high salary). 1870, moved to New Jersey to begin his efficient invention period. 1874 improved typewriters. 1876, to the latter.
Bell invented the telephone with a carbon Reap route, and raised the words beep. 1876, founded his famous laboratory. In the laboratory, he broke the previous individual scientists to engage in research tradition, organized a group of professionals (including N.
Tesla and others), and the subject of his assignment, a common commitment to the invention, thus creating the correct way to modern scientific research. 1877, invented gramophone, which makes him original. 1878, the study began incandescent lamp in the 10 months after many failures, October 21, 1879 in the successful location of incandescence light lights carbon silk, stable location between two days. 1882, in New York pearl Street Block communal fire was the world's second plant, built in New York Urban Electric lighting, a modern electricity system to take shape. Mar lighting achievement has not only greatly improved the working conditions of production, but also herald an era of daily life electrification forthcoming. 1883, Edison bulbs in a vacuum test, accidentally discovered the cold, there is a current hot electrode. This phenomenon was called the Edison effect, become electron tube and electronic industries. 1887, from Xiaolan government, and in the same year in a larger city, the laboratory equipment is also updated the famous Edison Laboratory (later known as the invention factory). Here, according to G.
School invention, produced its own camera. 1914, by Gramophone and camera film produced by the first audio system. Old age, his inventions and innovations including batteries, cement mixer, sound recording telephone, double - and multi-type cable system, railways used brakes. First World War, he served as Chairman of the Technical Advisory Committee to guide torpedoes and anti-submarine equipment research, invented dozens of weapons. To this end, the United States government in 1920 conferred on him the Distinguished Services Medal serving, the French government awarded honorary medals to his Corps spaces. 1928, the United States Congress to grant him honorary medals. Throughout their entire life cycle, Edison and his laboratory received 1,093 patents for their invention. Edison invented many life, but he is after all a system of scientific knowledge, and thus to the development of modern technology can not make the right judgment. In the 19th century, the exchange of transmission system has emerged, but he still insisted on direct current transmission, and with G.
Westinghouse Niehaus fierce competition occurred lost Niagara hydropower project contracts;
He blindly testing laboratory magnetic milling equipment, the invention Electric depletion of the funds had to be abandoned. However, Edison electricity in the development, application of electric appliances manufacturing promote the contribution that he became the history of mankind's greatest inventor the world.
你们没学那么多,挑着写就行

Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who made solitude and introspection important themes in his painting.
"He was born in the small Hudson River town of Nyack, New York State, on 22 July 1882. His family were solidly middle-class: his father owned a dry goods store where the young Hopper sometimes worked after school. By 1899 he had already decided to become an artist, but his parents persuaded him to begin by studying commercial illustration because this seemed to offer a more secure future. He first attended the New York School of Illustrating (more obscure than its title suggests), then in 1900 transferred to the New York School of Art. Here the leading figure and chief instructor was William Merritt Chase (1849-1916), an elegant imitator of Sargent. He also worked under Robert Henri (1869-1929), one of the fathers of American Realism - a man whom he later described as 'the most influential teacher I had', adding 'men didn't get much from Chase; there were mostly women in the class.' Hopper was a slow developer - he remained at the School of Art for seven years, latterly undertaking some teaching work himself. However, like the majority of the young American artists of the time, he longed to study in France. With his parents' help he finally left for Paris in October 1906. This was an exciting moment in the history of the Modern movement, but Hopper was to claim that its effect on him was minimal:

Whom did I meet? Nobody. I'd heard of Gertrude Stein, but I don't remember having heard of Picasso at all. I used to go to the cafés at night and sit and watch. I went to the theatre a little. Paris had no great or immediate impact on me.
"In addition to spending some months in Paris, he visited London, Amsterdam, Berlin and Brussels. The picture that seems to have impressed him most was Rembrandt's The Night Watch (in the Rijksmuseum, Amsterdam). Hopper was able to repeat his trip to Europe in 1909 and 1910. On the second occasion he visited Spain as well as France. After this, though he was to remain a restless traveller, he never set foot in Europe again. Yet its influence was to remain with him for a long time: he was well read in French literature, and could quote Verlaine in the original, as his future wife discovered (he was surprised when she finished the quotation for him). He said later: '[America] seemed awfully crude and raw when I got back. It took me ten years to get over Europe.' For some time his painting was full of reminiscences of what he had seen abroad. This tendency culminates in Soir Bleu of 1914, a recollection of the Mi-Caréme carnival in Paris, and one of the largest pictures Hopper ever painted. It failed to attract any attention when he showed it in a mixed exhibition in the following year, and it was this failure which threw him back to working on the American subjects with which his reputation is now associated. In 1913 Hopper made his first sale - a picture exhibited at the Armory Show in New York which brought together American artists and all the leading European modernists. In 1920 he had his first solo exhibition, at the Whitney Studio Club, but on this occasion none of the paintings sold. He was already thirty-seven and beginning to doubt if he would achieve any success as an artist - he was still forced to earn a living as a commercial illustrator. One way round this dilemma was to make prints, for which at that time there was a rising new market. These sold more readily than his paintings, and Hopper then moved to making watercolours, which sold more readily still.
"Hopper had settled in Greenwich Village, which was to be his base for the rest of his life, and in 1923 he renewed his friendship with a neighbour, Jo Nivison, whom he had known when they were fellow students under Chase and Henri. She was now forty; Hopper was forty-two. In the following year they married. Their long and complex relationship was to be the most important of the artist's life. Fiercely loyal to her husband, Jo felt in many respects oppressed by him. In particular, she felt that he did nothing to encourage her own development as a painter, but on the contrary did everything to frustrate it. 'Ed,' she confided to her diary, 'is the very centre of my universe... If I'm on the point of being very happy, he sees to it that I'm not.' The couple often quarrelled fiercely (an early subject of contention was Jo's devotion to her cat Arthur, whom Hopper regarded as a rival for her attention). Sometimes their rows exploded into physical violence, and on one occasion, just before a trip to Mexico, Jo bit Hopper's hand to the bone. On the other hand, her presence was essential to his work, sometimes literally so, since she now modelled for all the female figures in his paintings, and was adept at enacting the various roles he required.

"From the time of his marriage, Hopper's professional fortunes changed. His second solo show, at the Rehn Gallery in New York in 1924, was a sell-out. The following year, he painted what is now generally acknowledged to be his first fully mature picture, The House by the Railroad. With its deliberate, disciplined spareness, this is typical of what he was to create thereafter. His paintings combine apparently incompatible qualities. Modern in their bleakness and simplicity, they are also full of nostalgia for the puritan virtues of the American past - the kind of quirky nineteenth-century architecture Hopper liked to paint, for instance, could not have been more out of fashion than it was in the mid-192OS, when he first began to look at it seriously. Though his compositions are supposedly realist they also make frequent use of covert symbolism. Hopper's paintings have, in this respect, been rather aptly compared to the realist plays of Ibsen, a writer whom he admired.

"One of the themes of The House by the Railroad is the loneliness of travel, and the Hoppers now began to travel widely within the United States, as well as going on trips to Mexico. Their mobility was made possible by the fact that they were now sufficiently prosperous to buy a car. This became another subject of contention between the artist and his wife, since Hopper, not a good driver himself, resisted Jo's wish to learn to drive too. She did not acquire a driving licence until 1936, and even then her husband was extremely reluctant to allow her control of their automobile.

"By this time Hopper, whose career, once it took off, was surprisingly little affected by the Depression, had become extremely well known. In 1929, he was included in the Museum of Modern Art's second exhibition, Paintings by Nineteen Living Americans, and in 1930 The House by the Railroad entered the museum's permanent collection, as a gift from the millionaire collector Stephen Clark. In the same year, the Whitney Museum bought Hopper's Early Sunday Morning, its most expensive purchase up to that time. In 1933 Hopper was given a retrospective exhibition at the Museum of Modern Art. This was followed, in 1950, by a fuller retrospective show at the Whitney.

"Hopper became a pictorial poet who recorded the starkness and vastness of America. Sometimes he expressed aspects of this in traditional guise, as, for example, in his pictures of lighthouses and harsh New England landscapes; sometimes New York was his context, with eloquent cityscapes, often showing deserted streets at night. Some paintings, such as his celebrated image of a gas-station, Gas (1940), even have elements which anticipate Pop Art. Hopper once said: 'To me the most important thing is the sense of going on. You know how beautiful things are when you're travelling.'

"He painted hotels, motels, trains and highways, and also liked to paint the public and semi-public places where people gathered: restaurants, theatres, cinemas and offices. But even in these paintings he stressed the theme of loneliness - his theatres are often semideserted, with a few patrons waiting for the curtain to go up or the performers isolated in the fierce light of the stage. Hopper was a frequent movie-goer, and there is often a cinematic quality in his work. As the years went on, however, he found suitable subjects increasingly difficult to discover, and often felt blocked and unable to paint. His contemporary the painter Charles Burchfield wrote: 'With Hopper the whole fabric of his art seems to be interwoven with his personal character and manner of living.' When the link between the outer world he observed and the inner world of feeling and fantasy broke, Hopper found he was unable to create.

"In particular, the rise of Abstract Expressionism left him marooned artistically, for he disapproved of many aspects of the new art. He died in 1967, isolated if not forgotten, and Jo Hopper died ten months later. His true importance has only been fully realized in the years since his death."

Albert Einstein was born at Ulm, in Württemberg, Germany, on March 14, 1879. Six weeks later the family moved to Munich, where he later on began his schooling at the Luitpold Gymnasium. Later, they moved to Italy and Albert continued his education at Aarau, Switzerland and in 1896 he entered the Swiss Federal Polytechnic School in Zurich to be trained as a teacher in physics and mathematics. In 1901, the year he gained his diploma, he acquired Swiss citizenship and, as he was unable to find a teaching post, he accepted a position as technical assistant in the Swiss Patent Office. In 1905 he obtained his doctor's degree.


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启东市15731077684: 达人们帮忙写一篇英文作文,作为参考.“the chinese youth of today”最好附上中文 ) 字数控制在200字左右 -
化疮复方:[答案] the Chinese Youth of Today It goes without saying that we Chinese youth are living a happy life.We enjoy good meals,wear beautiful clothes and receive good eduation.We have nothing to worry about.However,on the other hand,we can't forget the ...

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