高分！100分！求老人与海的Book Report！要求：英文

求老人与海英文读后感一篇，两百词以上，要原创的！~

百度文库里找的，供参考。自己改改吧。
I first read this book when I was in my fifteens. And now I remember it just as well as if I had read it yesterday.
On summer vacation of this year, I studied in novel " old man and sea " of Hemingway , famous writer of U.S.A. ,. I admire the old fisherman's will in the novel very much, he lets me understand that a person must have unremitting spirit, could succeed . What the novel is described is an old fisherman almost the sixty years old, when go to sea and fish alone once, have angled to a big fish, but can not draw. After tough fisherman and fish have socialized for a few days, just find this is a big Malin's fish which exceeds several times of one's own fishing boat, though know perfectly well that it is very difficult to win , does not give up yet. Because big Malin fish fishlike smell of wound attract odd herds of shark vie for the food again later, but the old man is still unwilling to give up like this, stress the tight encirclement finally , take the large fish back to fishing port , let other fishmen admire it endlessly. The old fisherman thinks that as I read ": It is really too close from here to coast, perhaps there are bigger fish in the farther place ……" When,admire very much because this old fisherman in the persons, because play not for some fishing he already at this moment I, but he is not satisfied with the existing state of affairs , but advance towards greater goal. Seeing us again, meet some little difficulties at ordinary times , all of us complain bitterly. We are the future of the motherland, should be as ambitious as this old man, go to pursue well , greater goal. Read as me " big Malin fish is it enclose light fishing boat move about , is it get mast to twine cable fast to begin, old man right hand hold steel fork high , jump out in a flash , affording to try one's best above water in it, a sound of wail has finished the life of the loud fish, it floats on the surface of water silently ……"When,the I one heart is too fall like pieces of stone not big. I admire that kind of fearing of the old man at all , unremitting spirit very much, though know rival's strength is very strong , but he has not shrunk back at all , meets the difficulty. Just because there is this kind of spirit, the old fisherman has obtained the victory of the trial of strength of this life and death. We should study the old fisherman's spirit too in life, do the thing and is not afraid of the difficulty , could achieve success . Read big blood offensive smell of fish smell one shark , fall over each other to visit to vie for the food, left hand of old man pull a muscle just, he can only use right hand, can weapon attacked to used for defend oneself with stick , mouth of swordfish that catch everything, and has driven away this herd of shark finally. But big meat of fish take into big half already, but old man criticize one's own left hand " when the work this when have a rest " humorously also, I am subdued by old man's optimistic spirit too. In life, some losses are unavoidable, we should treat the optimistic attitude , can't worry about petty gain or loss . Finally, the novel sees with a teenager that old fisherman has 18 feet of big long Malin's fish totally in the tolerance , the ones that have described this fish are enormous again, prove that old fisherman's difficulty overcome is big, than ordinary. Old fisherman's spirit that makes great efforts to struggle fearless of danger and difficulty that the novel has been extolled, we should be like him too, can' t be satisfied with the current situation , should be positive upwards, it should be unremitting to do anything, it must not give up halfway to meeting difficulty should meet the difficulty. Only in this way, we could obtain greater success and victory .

背景和评价 都在这

Background and publication

Most people maintain that the years following Hemingway's publication of For Whom the Bell Tolls in 1940 until 1952 were the bleakest in his literary career. The novel Across the River and Into the Trees (1950) was almost unanimously disparaged by critics as self-parody. Evidently his participation as an Allied correspondent in World War II did not yield fruits equivalent to those wrought of his experiences in World War I (A Farewell to Arms, 1929) or the Spanish Civil War (For Whom the Bell Tolls).

Hemingway had initially planned to use Santiago's story, which became The Old Man and the Sea, as part of a random intimacy between mother and son and also the fact of relationships that cover most of the book relate to the Bible, which he referred to as "The Sea Book." (He also referred to the Bible as the "Sea of Knowledge" and other such things.) Some aspects of it did appear in the posthumously published Islands in the Stream. Positive feedback he received for On the Blue Water (Esquire, April 1936) led him to rewrite it as an independent work. The book is a novella because it has no chapters or parts and is slightly longer than a short story.

The novella first appeared, in its 26,500-word entirety, as part of the September 1, 1952 edition of Life magazine. 5.3 million copies of that issue were sold within two days. The majority of concurrent criticism was positive, although some dissenting criticism has since emerged. The title was misprinted on the cover of an early edition as The Old Men and the Sea.

Literary significance and criticism

The Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author. Its publisher, Scribner's, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkner's "The Bear" and Herman Melville's Moby-Dick.

Following such acclaim, however, a school of critics emerged that interpreted the novella as a disappointing minor work. For example, critic Philip Young provided an admiring review in 1952, just following The Old Man and the Sea's publication, in which he stated that it was the book "in which Hemingway said the finest single thing he ever had to say as well as he could ever hope to say it." However, in 1966, Young claimed that the "failed novel" too often "went way out." These self-contradictory views show that critical reaction ranged from adoration of the book's mythical, pseudo-religious intonations to flippant dismissal as pure fakery. The latter is founded in the notion that Hemingway, once a devoted student of realism, failed in his depiction of Santiago as a supernatural, clairvoyant impossibility.

Joseph Waldmeir's essay entitled "Confiteor Hominem: Ernest Hemingway's Religion of Man" is one of the most famed favorable critical readings of the novella—and one which has defined analytical considerations since. Perhaps the most memorable claim therein is Waldmeir's answer to the rhetorical question,

Just what is the book's message?
The answer assumes a third level on which The Old Man and the Sea must be read—as a sort of allegorical commentary on all his previous work, by means of which it may be established that the religious overtones of The Old Man and the Sea are not peculiar to that book among Hemingway's works, and that Hemingway has finally taken the decisive step in elevating what might be called his philosophy of Manhood to the level of a religion.

As of 2006, the current cover for the Charles Scribner's Sons edition of the novellaWaldmeir was one of the most prominent critics to wholly consider the function of the novella's Christian imagery, made most evident through Santiago's blatant reference to the crucifixion following his sighting of the sharks that reads:

Ay, he said aloud. There is no translation for this word and perhaps it is just a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood.
Waldmeir's analysis of this line, supplemented with other instances of similar symbolism, caused him to claim that The Old Man and the Sea was a seminal work in raising Hemingway's "philosophy of Manhood" to a religious level.This hallmark criticism stands as one of the most durable, positive treatments of the novella.

On the other hand, one of the most outspoken critics of The Old Man and the Sea is Robert P. Weeks. His 1962 piece "Fakery in The Old Man and the Sea" presents his claim that the novella is a weak and unexpected divergence from the typical, realistic Hemingway (referring to the rest of Hemingway's body of work as "earlier glories"). In juxtaposing this novella against Hemingway's previous works, Weeks explains that

The difference, however, in the effectiveness with which Hemingway employs this characteristic device in his best work and in The Old Man and the Sea is illuminating. The work of fiction in which Hemingway devoted the most attention to natural objects, The Old Man and the Sea, is pieced out with an extraordinary quantity of fakery, extraordinary because one would expect to find no inexactness, no romanticizing of natural objects in a writer who loathed W.H. Hudson, could not read Thoreau, deplored Melville's rhetoric in Moby Dick, and who was himself criticized by other writers, notably Faulkner, for his devotion to the facts and his unwillingness to "invent."

Robinson Crusoe, the narrator of the story, tells us that he was born in 1632 in the city of York, England. His father, a German immigrant, married a woman whose name was Robinson, and his real name was Robinson Kreutznaer, but due to the natural corruption of languages, the family now writes their name "Crusoe." He was the third son; his oldest brother was killed in a war, and the next son simply disappeared.

When Robinson Crusoe first had an urge to go to sea, his father lectured him upon the importance of staying home and being content with his "middle station" in life. His father maintained that the "middle station had the fewest disasters and was not exposed to so many vicissitudes as the higher or lower part of mankind." After his father expressly forbade him to go to sea, and, furthermore, promised to do good things for him if he stayed home, for another whole year, Robinson Crusoe stayed at home, but he constantly thought of adventures upon the high sea. He tried to enlist the aid of his mother, pointing out that he was now eighteen years old and if he did not like the sea, he could work diligently and make up for the time he might lose while at sea. She refused to help him, even though she did report his strong feelings to her husband.

When Robinson was nineteen, on the first of September, in 1651, he joined a friend on a ship bound for London, without consulting either his father or mother. Almost immediately, "the wind began to blow, and the sea to rise in a most frightful manner." Robinson Crusoe, who had never been to sea before, saw this as a sign that he was justly "overtaken by the judgement of Heaven" for his wicked leaving of his father's house without letting anyone know. He was so frightened that he made the promise: "If it would please God here to spare my life in this one voyage, if ever I got once my foot upon dry land again, I would go directly home to my father, and never set it into a ship again while I lived." The wind soon abated, and the next morning the sea was so calm and so beautiful that he entirely forgot the vows and promises that he had made in his distress, and joined the other sailors in a drinking bout.

As they neared a place called Yarmouth Roads, the winds ceased to blow and thus they were stilled for eight days, and when the winds did begin to blow, the ship immediately encountered a storm much more violent than the earlier one. Even the most experienced sailors were down on their knees praying. The storm continued with such fury that the seamen acknowledged that they had never known a worse one.

When the boat sprung a leak, Robinson was ordered below to help pump the water. It soon became apparent that they would not be able to save the ship and the captain fired several volleys of distress signals. A lighter ship in the vicinity made it up to their ship and was able to take the crew away from the sinking ship, which foundered soon after they left.

The crew finally got to shore, where Robinson Crusoe met his friend's father, who owned the ship. When the captain heard Robinson Crusoe's story, he felt strongly that it was the "hand of Providence" instructing Robinson Crusoe never to go to sea any more. He told the young man: "You ought to take this for a plain and visible token that you are not to be a seafaring man." He even wondered if he had done something wrong that such a person as Robinson Crusoe should "come onto his ship," and he warned Crusoe again that "you will meet with nothing but disasters and disappointments" if he did not go back to his father's house.

21.老人与海鸥
那是一个普通的冬日。我和朋友相约来到翠湖边，海鸥正飞得热闹。
在喂海鸥的人群中很容易认出那位老人。他背已经驼了，穿一身褪色的过时布衣，背一个褪色的蓝布包，连装鸟食的大塑料袋也用的褪了色。朋友告诉我，这位老人每天步行二十余里，从城郊赶到翠湖，只为了给海鸥送餐，跟海鸥相伴。
人少的地方，是他喂海鸥的领地。老人把饼干丁很小心地放在湖边的围栏上，退开一步，撮起嘴向鸥群呼唤。立刻便有一群海鸥应声而来，几下就扫的干干净净。老人顺着栏杆边走边放，海鸥依他的节奏起起落落，排成一片翻飞的白色，飞成一篇有声有色的乐谱。
在海鸥的鸣叫声里，老人抑扬顿挫地唱着什么。侧耳细听，原来是亲昵得变了调的地方话——“独脚”“灰头”“红嘴”“老沙”“公主”······
“您给海鸥取了名？”我忍不住问。
老人回头看了我一眼，依然俯身向着海鸥：“当然，哪个都有个名儿。”
“您认得出他们？”相同的白色翅膀在阳光下飞快闪过，我怀疑老人能否看得清。
“你看你看！那个脚上有环的是老沙！”老人得意的指给我看，他忽然对着水面大喊了一声：“独脚！老沙！起来一下！”
水面上应声跃起两只海鸥，向老人飞来。一只海鸥脚上果然闪着金属的光，另一只飞过来在老人手上啄食。它只有一只脚，听落时不得不扇动翅膀保持平衡。看来它就是独脚，老人边给它喂食边对它亲昵地说着话。
谈起海鸥，老人的眼睛立刻生动起来。
“海鸥最重情义，心细着呢。前年有一只海鸥，飞离昆明前一天，连连在我帽子上歇落了五次，我以为它是跟我闹着玩，后来才晓得它是跟我告别。它去年没有来，今年也没有来??????海鸥是吉祥鸟、幸福鸟！古人说‘海鸥飞处带诗来’，十多年前，海鸥一来，我就知道咱们的福气来了。你看它们那小模样！啧啧??????”海鸥听见老人唤，马上飞了过来，把他团团围住，引得路人都驻足观看。
太阳偏西，老人的塑料袋空了。“时候不早了，再过一会儿它们就要回去啦。听说它们歇在滇池里，可惜我去不了。”老人望着高空盘旋的鸥群，眼睛里带着企盼。
朋友告诉我，十多年了，一到冬天，老人每天必来，和海鸥就像亲人一样。
没想到十多天后，忽然有人告诉我们：老人去世了。
听到这个消息，我们仿佛又看见老人和海鸥在翠湖边相依相随??????我们把老人最后一次喂海鸥的照片放大，带到了翠湖边。意想不到的事情发生了——一群海鸥突然飞来，围着来人的遗像翻飞盘旋，连声名叫，叫声和姿势与平常大不一样，像是发生了什么大事。我们非常惊异，急忙从老人的照片旁退开，为海鸥们让出了一片空地。
海鸥们急速扇动翅膀，轮流飞到老人遗像前的空中，像是前来瞻仰遗容的亲属。照片上的老人默默的注视着周围翻飞盘旋的海鸥们，注视着与他相伴了多少个冬天的“儿女”们······过了一会儿，海鸥纷纷落地，竟在老人遗像前后站成了两行。它们肃立不动，像是为老人守灵的白衣天使。
当我们不得不去收起遗像的时候，海鸥们像炸了营似的朝遗像扑过来。它们大声名叫着，翅膀扑得那样近，我们好不容易才从这片飞动的白色旋涡中脱出身来。
······
在为老人举行的葬礼上，我们抬着那幅遗像缓缓向灵堂走去。老人背着那个蓝布包，撮着嘴，好像还在呼唤着海鸥们。他的心里，一定是飞翔的鸥群。

老人与海
Robinson Crusoe, the narrator of the story, tells us that he was born in 1632 in the city of York, England. His father, a German immigrant, married a woman whose name was Robinson, and his real name was Robinson Kreutznaer, but due to the natural corruption of languages, the family now writes their name "Crusoe." He was the third son; his oldest brother was killed in a war, and the next son simply disappeared.

When Robinson Crusoe first had an urge to go to sea, his father lectured him upon the importance of staying home and being content with his "middle station" in life. His father maintained that the "middle station had the fewest disasters and was not exposed to so many vicissitudes as the higher or lower part of mankind." After his father expressly forbade him to go to sea, and, furthermore, promised to do good things for him if he stayed home, for another whole year, Robinson Crusoe stayed at home, but he constantly thought of adventures upon the high sea. He tried to enlist the aid of his mother, pointing out that he was now eighteen years old and if he did not like the sea, he could work diligently and make up for the time he might lose while at sea. She refused to help him, even though she did report his strong feelings to her husband.

When Robinson was nineteen, on the first of September, in 1651, he joined a friend on a ship bound for London, without consulting either his father or mother. Almost immediately, "the wind began to blow, and the sea to rise in a most frightful manner." Robinson Crusoe, who had never been to sea before, saw this as a sign that he was justly "overtaken by the judgement of Heaven" for his wicked leaving of his father's house without letting anyone know. He was so frightened that he made the promise: "If it would please God here to spare my life in this one voyage, if ever I got once my foot upon dry land again, I would go directly home to my father, and never set it into a ship again while I lived." The wind soon abated, and the next morning the sea was so calm and so beautiful that he entirely forgot the vows and promises that he had made in his distress, and joined the other sailors in a drinking bout.

As they neared a place called Yarmouth Roads, the winds ceased to blow and thus they were stilled for eight days, and when the winds did begin to blow, the ship immediately encountered a storm much more violent than the earlier one. Even the most experienced sailors were down on their knees praying. The storm continued with such fury that the seamen acknowledged that they had never known a worse one.

When the boat sprung a leak, Robinson was ordered below to help pump the water. It soon became apparent that they would not be able to save the ship and the captain fired several volleys of distress signals. A lighter ship in the vicinity made it up to their ship and was able to take the crew away from the sinking ship, which foundered soon after they left.

The crew finally got to shore, where Robinson Crusoe met his friend's father, who owned the ship. When the captain heard Robinson Crusoe's story, he felt strongly that it was the "hand of Providence" instructing Robinson Crusoe never to go to sea any more. He told the young man: "You ought to take this for a plain and visible token that you are not to be a seafaring man." He even wondered if he had done something wrong that such a person as Robinson Crusoe should "come onto his ship," and he warned Crusoe again that "you will meet with nothing but disasters and disappointments" if he did not go back to his father's house.

The novel description is one year near sixty years of age senior fisherman, when alone goes to sea in one fishing, fished one big fish, actually did not pull. The senior fisherman socialized several days after the fish, only then discovered this was the big marlin which one surpassed the oneself fishing boat several fold, although knew perfectly well very difficult to win, but still did not give up. Afterwards and further because in the big marlin wound fish fishy smell brought in several crowds of shark fish snatches the food, but the old person still did not hope like this to give up, finally highlighted encircles tightly, returned to the big fish belt the fishing port, lets other fishermen not admire already.

The Old Man and the Sea is a heroic tale of man's strength pitted against forces he cannot control. It is a story about an old Cuban fisherman and his three-day battle with a giant Marlin. Through the use of three prominent themes; friendship, bravery, and Christianity; the Old Man and the Sea strives to teach important life lessons to the reader while also epitomizing Santiago, the old fisherman, as a Hemingway code hero. The relationship between Santiago and the boy is introduced early in the story. They are unlikely companions; one is old and the other young, yet they share an insuperable amount of respect and loyalty for each other. Santiago does not treat Manolin as a young boy but rather as an equal. Age is not a factor in their relationship. Manolin does not even act as a young boy; he is mature and sensitive to Santiago's feelings. He even offers to disobey his parents and accompany Santiago on his fishing trips. Santiago is viewed as an outcast in his village because he has not caught any fish for more than eighty-four days and is therefore unlucky. Nonetheless Manolin is loyal to Santiago and even when his parents forbid him he wants to help his friend. Their conversations are comfortable, like that of two friends who have known each other for a long time. When they speak it is usually about baseball or fishing, the two things they have most in common. Their favorite team is the Yankees and Santiago never loses faith in them even when the star player, Joe DiMaggio is injured with a heel spur. In this way Santiago not only teaches Manolin about fishing but also about important characteristics such as faith. In the story Santiago's bravery is unsurpassed but it is not until he hooks the great fish that we truly see his valor and perseverance. Through Santiago's actions Hemingway teaches the reader about bravery and tenacity in the face of adversity. He demonstrates that even when all is lost and seems hopeless a faith and willful heart will overcome anything. Santiago had lost his luckiness and therefore the respect of his village. Through the description of his cabin we also suspect that Santiago is a widower. Although Santiago has had many troubles he perseveres. He has faith in Manolin, in the Yankees, in Joe DiMaggio, and most importantly in himself. This is perhaps his greatest attribute because without it he would never have had the strength to persevere and defeat the giant Marlin. Faith is not the only thing that drives his perseverance. Santiago also draws upon his past victories for strength. After he hooks the Marlin he frequently recalls his battle with a native in what he calls the hand game. It is not just an arm wrestling victory for him it is a reminder of his youthful days. His recollections of this event usually proceed a favorite dream of his in which he sees many lions on a peaceful shore. These lions represent him when he is young and strong and could overcome any challenge. Although he is an old man and his body is no longer like it used to be his heart is still great and he eventually defeats the Marlin. Santiago's perseverance and bravery are further illustrated when he tries to fight off the sharks. He was a fisherman all his life and therefore he knows that the fate of his catch is inevitable yet he persists to fight the sharks. The battle between him and the sharks is about principles not a mere fish. Santiago is still a great warrior at heart and warriors fight until the end. One of the greatest and most obvious pieces of symbolism in the story is Christianity. From the beginning of the story the reader is shown a unique relationship between Santiago and Manolin. Their relationship parallels that of Christ and his disciples. Manolin is Santiago's disciple and Santiago teaches Manolin about fishing and life. One of the greatest lessons that Santiago gives is that of a simple faith. Have faith in the Yankees my son. This type of faith reflects the basic principles of Christianity. Hemingway's description of Santiago further illustrates Christian symbolism. Hemingway gives a reference to the nail-pierced hands of Christ by stating that Santiago's hands had deep creased scars. Hemingway also parallels Santiago's suffering to that of Christ by stating that he settled 卆gainst the wood and took his suffering as it came. Even more profound is the description of Santiago's response when he saw the sharks, just a noise such a man might make, involuntarily feeling the nail go through his hands and into the wood. (Page 107) Further symbolism is shown when Santiago arrives home and carries the mast across his shoulders as Christ carried the cross to Calvary. Also, like Christ, Santiago could not bare the weight and collapsed on the road. When he finally reached his cabin he slept face down on the newspapers with his arms out straight and the palms of his hands up. (Page 122) Hemingway puts these themes together in such a way that they do not conflict with each other. He does allow Christianity to be a more dominant theme than the other but instead makes it more symbolic than intentional. He does not smother the relationship between the old man and the young boy but instead separates them for a large part of the story. Finally, he does not make Santiago's bravery a central them by highlighting his weaknesses. In the end the old mans perseverance and faith pay off. He finally gains the respect of the village and succeeds in teaching Manolin the lessons of faith and bravery. In Ernest Hemingway's The Old Man and the Sea, one will find many examples in which the main character, Santiago, surpasses many hardships while being courageous, brave, and being a friend. Each of these: courage, bravery, and friendship, are qualities in a Hemingway code hero.

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伍武缓释： The Old Man and the Sea is a heroic tale of man's strength pitted against forces he cannot control. It is a story about an old Cuban fisherman and his three-day battle with a giant Marlin. Through the use of three prominent themes; friendship, bravery,...

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伍武缓释： 1.每一天都是一个新的日子.走运当然是好.不过我情愿做到分毫不差.这样,运气来的时候,你就有所准备了. 2.不过话得说回来,没有一桩事是容易的. 3.“不过人不是为失败而生的,”他说,“一个人可以被毁灭,但不能被打败.” 4.陆...

广州市17267726096： 求《老人与海》的精彩片段加赏析 格式是这样的: 精彩片段摘抄:350字左右 赏析:150字左右 急!!特急! - ？
伍武缓释： 精彩片段: 老人先松开钓丝,然后大喝一声,用尽全身的力气收拢钓丝,但鱼并不肯轻易屈服,非但没有上来一英寸,反而慢慢游开去.老头把钓丝背在脊梁上增加对抗马林鱼的拉力,可是作用不大,他眼睁睁地看着小船向西北方飘去.老头想...

广州市17267726096： 求老人与海的摘抄片段 最好再加上赏析 6个左右吧 每段100字 - ？
伍武缓释： “|'这条鱼也是我的朋友.'他叫出声来,'我从来没有见过或听过这样的鱼.不过我必须把它弄死.我很高兴,我们不必去弄死那些星星.'” 没错,人;没错,活着.海是广阔的,你只能在一条船上.老人捕鱼,鱼拽小船,鲨鱼吃鱼,老...

广州市17267726096： <老人与海>中的名句?求~ - ？
伍武缓释： 老人的陋屋空空如也,老人与小孩说着晚上的饭菜(其实并不存在),谈着喜爱的棒球队,将对话日复一日继续下去.曼诺林照顾着老人,为他买来便餐,准备好明日用的鱼饵.老人睡了,他不再像年轻时那样老梦见狂风巨浪、大鱼、搏斗之类...

广州市17267726096： 求老人与海鸥的文学赏析,400到500字,谢谢! - ？
伍武缓释： 动物,是有灵性的.它们和人一样,也有自己的爱恨情仇,自己的情感世界.读了《老人与海鸥》,我被海鸥对老人那份令人震撼的情所深深打动.海鸥是人们最熟悉的海鸟,在这篇课文里,我对这群小家伙有了全新的认识.当读到“前年有一...

广州市17267726096： 求《老人与海》的试题 谢谢 - ？
伍武缓释： 老人与海试题 1、圣地亚哥是( )的一个老渔夫 2、圣地亚哥曾经和一个黑人比赛( ),比了一天一夜,最后终于战胜了对手 3、圣地亚哥十分( )只有一个叫曼诺林的男孩子总跟他在一起 4、老人在每天早上负责( ) 5、圣地亚哥爱大海,他...