高悬赏！求英文的生旦净丑200字左右介绍！！急！！！

学习用英语怎么说~

学习的英语：learn
读音：英 [lɜːn] 美 [lɜːrn]
v. 学会；学习；得知
词汇搭配
1、learn a foreign language学习一门外语
2、learn lessons接受教训
3、learn piano学弹钢琴
4、learn soon很快地学会
常见句型：
1、It is never too late to learn.
学习永远不会太迟。
2、Generally, children learn foreign languages very easily.
一般说来,小孩学习外语很容易。
3、I had to learn a trade at the age of seven.
我7岁时就不得不去学一门手艺。
4、You must learn to wait on yourself now.
你现在应该学会自己照顾自己了。
5、I'm learning how to repair motors.
我正在学习怎样修理发动机。

扩展资料：词语用法
1、learn强调的是一个由“不知道”到“知道”的过程,也可表示学习的成果,即“学会,学到”。还可指“听说,得知”。
2、learn可用作及物动词,也可用作不及物动词。用作及物动词时,接名词、动名词、(带疑问词的)动词不定式、或由that或疑问词引导的从句作宾语。
3、learn作“听说,获悉”解时,是传达信息的动词,常可用一般现在时来代替一般过去时。
4、learn用作不及物动词作“吸取教训”解时,多用于否定句。

[edit] Training
Main article: Peking Opera School
Becoming a Beijing opera performer requires a long and arduous apprenticeship beginning from an early age.[39] Prior to the 20th century, pupils were often handpicked at a young age by a teacher and trained for seven years on contract from the child's parents. Since the teacher fully provided for the pupil during this period, the student accrued a debt to his master that was later repaid through performance earnings. After 1911, training took place in more formally organized schools. Students at these schools rose as early as five o'clock in the morning for exercises. Daytime was spent learning the skills of acting and combat, and senior students performed in outside theatres in the evening. If they made any mistakes during such performances, the entire group was beaten with bamboo canes. Schools with less harsh training methods began to appear in 1930, but all schools were closed down in 1931 after the Japanese invasion. New schools were not opened until 1952.[40]

Performers are first trained in acrobatics, followed by singing and gestures. Several performing schools, all based on the styles of famous performers, are taught. Some examples are the Mei Lanfang school, the Cheng Yanqiu school, the Ma Lianliang school, and the Qi Lintong school.[41] Students previously trained exclusively in the art of performance, but modern performance schools now include academic studies as well. Teachers assess the qualifications of each student and assign them roles as primary, secondary, or tertiary characters accordingly. Students with little acting talent often become Beijing opera musicians.[42] They may also serve as the supporting cast of foot soldiers, attendants, and servants that is present in every Beijing opera troupe.[43] In Taiwan, the Ministry of National Defense of the Republic of China runs a national Beijing opera training school.[44]

[edit] Sheng
The Sheng (生) is the main male role in Beijing opera. This role has numerous subtypes. The laosheng is a dignified older role. These characters have a gentle and cultivated disposition and wear sensible costumes. One type of laosheng role is the hongsheng, a red-faced older male. The only two hongsheng roles are Guan Gong, the Chinese God of War, and Zhao Kuang-yin, the first Song Dynasty emperor. Young male characters are known as xiaosheng. These characters sing in a high, shrill voice with occasional breaks to represent the voice changing period of adolescence. Depending on the character's rank in society, the costume of the xiaosheng may be either elaborate or simple.[45] Off-stage, xiaosheng actors are often involved with beautiful women by virtue of the handsome and young image they project.[46] The wusheng is a martial character for roles involving combat. They are highly trained in acrobatics, and have a natural voice when singing.[45] Troupes will always have a laosheng actor. A xiaosheng actor may also be added to play roles fitting to his age. In addition to these main Sheng, the troupe will also have a secondary laosheng.[47]

[edit] Dan

Dan in Beijing operaThe Dan (旦) refers to any female role in Beijing opera. Dan roles were originally divided into five subtypes. Old women were played by laodan, martial women were wudan, young female warriors were daomadan, virtuous and elite women were qingyi, and vivacious and unmarried women were huadan. One of Mei Lanfang's most important contributions to Beijing opera was in pioneering a sixth type of role, the huashan. This role type combines the status of the qingyi with the sensuality of the huadan.[48] A troupe will have a young Dan to play main roles, as well as an older Dan for secondary parts.[43] Four examples of famous Dans are Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun, and Xun Huisheng.[49] In the early years of Beijing opera, all Dan roles were played by men. Wei Changsheng, a male Dan performer in the Qing court, developed the cai ciao, or "false foot" technique, to simulate the bound feet of women and the characteristic gait that resulted from the practice. The ban on female performers also led to a controversial form of brothel, known as the xianggong tangzi, in which men paid to have sex with young boys dressed as females. Ironically, the performing skills taught to the youths employed in these brothels led many of them to become professional Dan later in life.[50]

[edit] Jing

This Jing's painted face represents the personality traits of his characterThe Jing (净) is a painted face male role. Depending on the repertoire of the particular troupe, he will play either primary or secondary roles.[43] This type of role will entail a forceful character, so a Jing must have a strong voice and be able to exaggerate gestures.[51] Beijing opera boasts 15 basic facial patterns, but there are over 1000 specific variations. Each design is unique to a specific character. The patterns and coloring are thought to be derived from traditional Chinese color symbolism and divination on the lines of a person's face, which is said to reveal personality. Easily recognizable examples of coloring include red, which denotes uprightness and loyalty, white, which represents evil or crafty characters, and black, which is given to characters of soundness and integrity.[52] Three main types of Jing roles are often seen. These include tongchui, roles that heavily involve singing, jiazi, roles with less emphasis on singing and more on physical performance, and wujing, martial and acrobatic roles.[45]

[edit] Chou
The Chou (丑) is a male clown role. The Chou usually plays secondary roles in a troupe.[43] Indeed, most studies of Beijing opera classify the Chou as a minor role. The name of the role is a homophone of the Mandarin Chinese word chou, meaning "ugly". This reflects the traditional belief that the clown's combination of ugliness and laughter could drive away evil spirits. Chou roles can be divided into Wen Chou, civilian roles such as merchants and jailers, and Wu Chou, minor military roles. The Wu Chou is one of the most demanding in Beijing opera, because of its combination of comic acting, acrobatics, and a strong voice. Chou characters are generally amusing and likable, if a bit foolish. Their costumes range from simple for characters of lower status to elaborate, perhaps overly so, for high status characters. Chou characters wear special face paint, called xiaohualian, that differs from that of Jing characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit.[45]

Beneath the whimsical persona of the Chou, a serious connection to the form of Beijing opera exists. The Chou is the character most connected to the guban, the drums and clapper commonly used for musically accompaniment during performances. The Chou actor often uses the guban in solo performance, especially when performing Shu Ban, light-hearted verses spoken for comedic effect. The clown is also connected to the small gong and cymbals, percussion instruments that symbolize the lower classes and the raucous atmosphere inspired by the role. Although Chou characters do not sing frequently, their arias feature large amounts of improvisation. This is considered a license of the role, and the orchestra will accompany the Chou actor even as he bursts into an unscripted folk song. However, due to the standardization of Beijing opera and political pressure from government authorities, Chou improvisation has lessened in recent years. The Chou has a vocal timbre that is distinct from other characters, as the character will often speak in the common Beijing dialect, as opposed to the more formal dialects of other characters

Sheng

The Sheng (生) is the main male role in Beijing opera. This role has numerous subtypes. The laosheng is a dignified older role. These characters have a gentle and cultivated disposition and wear sensible costumes. One type of laosheng role is the hongsheng, a red-faced older male. The only two hongsheng roles are Guan Gong, the Chinese God of War, and Zhao Kuang-yin, the first Song Dynasty emperor. Young male characters are known as xiaosheng. These characters sing in a high, shrill voice with occasional breaks to represent the voice changing period of adolescence. Depending on the character's rank in society, the costume of the xiaosheng may be either elaborate or simple. Off-stage, xiaosheng actors are often involved with beautiful women by virtue of the handsome and young image they project. The wusheng is a martial character for roles involving combat. They are highly trained in acrobatics, and have a natural voice when singing. Troupes will always have a laosheng actor. A xiaosheng actor may also be added to play roles fitting to his age. In addition to these main Sheng, the troupe will also have a secondary laosheng.

Dan

Dan in Beijing operaThe Dan (旦) refers to any female role in Beijing opera. Dan roles were originally divided into five subtypes. Old women were played by laodan, martial women were wudan, young female warriors were daomadan, virtuous and elite women were qingyi, and vivacious and unmarried women were huadan. One of Mei Lanfang's most important contributions to Beijing opera was in pioneering a sixth type of role, the huashan. This role type combines the status of the qingyi with the sensuality of the huadan. A troupe will have a young Dan to play main roles, as well as an older Dan for secondary parts. Four examples of famous Dans are Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun, and Xun Huisheng. In the early years of Beijing opera, all Dan roles were played by men. Wei Changsheng, a male Dan performer in the Qing court, developed the cai ciao, or "false foot" technique, to simulate the bound feet of women and the characteristic gait that resulted from the practice. The ban on female performers also led to a controversial form of brothel, known as the xianggong tangzi, in which men paid to have sex with young boys dressed as females. Ironically, the performing skills taught to the youths employed in these brothels led many of them to become professional Dan later in life.

Jing

This Jing's painted face represents the personality traits of his characterThe Jing (净) is a painted face male role. Depending on the repertoire of the particular troupe, he will play either primary or secondary roles. This type of role will entail a forceful character, so a Jing must have a strong voice and be able to exaggerate gestures. Beijing opera boasts 15 basic facial patterns, but there are over 1000 specific variations. Each design is unique to a specific character. The patterns and coloring are thought to be derived from traditional Chinese color symbolism and divination on the lines of a person's face, which is said to reveal personality. Easily recognizable examples of coloring include red, which denotes uprightness and loyalty, white, which represents evil or crafty characters, and black, which is given to characters of soundness and integrity. Three main types of Jing roles are often seen. These include tongchui, roles that heavily involve singing, jiazi, roles with less emphasis on singing and more on physical performance, and wujing, martial and acrobatic roles.

Chou

The Chou (丑) is a male clown role. The Chou usually plays secondary roles in a troupe. Indeed, most studies of Beijing opera classify the Chou as a minor role. The name of the role is a homophone of the Mandarin Chinese word chou, meaning "ugly". This reflects the traditional belief that the clown's combination of ugliness and laughter could drive away evil spirits. Chou roles can be divided into Wen Chou, civilian roles such as merchants and jailers, and Wu Chou, minor military roles. The Wu Chou is one of the most demanding in Beijing opera, because of its combination of comic acting, acrobatics, and a strong voice. Chou characters are generally amusing and likable, if a bit foolish. Their costumes range from simple for characters of lower status to elaborate, perhaps overly so, for high status characters. Chou characters wear special face paint, called xiaohualian, that differs from that of Jing characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit.

Beneath the whimsical persona of the Chou, a serious connection to the form of Beijing opera exists. The Chou is the character most connected to the guban, the drums and clapper commonly used for musically accompaniment during performances. The Chou actor often uses the guban in solo performance, especially when performing Shu Ban, light-hearted verses spoken for comedic effect. The clown is also connected to the small gong and cymbals, percussion instruments that symbolize the lower classes and the raucous atmosphere inspired by the role. Although Chou characters do not sing frequently, their arias feature large amounts of improvisation. This is considered a license of the role, and the orchestra will accompany the Chou actor even as he bursts into an unscripted folk song. However, due to the standardization of Beijing opera and political pressure from government authorities, Chou improvisation has lessened in recent years. The Chou has a vocal timbre that is distinct from other characters, as the character will often speak in the common Beijing dialect, as opposed to the more formal dialects of other characters.

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淮南市17317031606： 高悬赏!求英文的生旦净丑200字左右介绍!!急!!! - ？
尉迟栋博尔： [edit] TrainingMain article: Peking Opera SchoolBecoming a Beijing opera performer requires a long and arduous apprenticeship beginning from an early a...

淮南市17317031606： 京剧里的生旦净末丑用英语怎么说? - ？
尉迟栋博尔： 主な四つのキャラクター 生(Sheng、ション) 老生:男性.ひげの色で年齢を表す. 武生:アクション(立ち回り)を専门とする男性 小生:若い男性. 旦(Dan、タン) 老旦:老女. 花旦:若い女性. 武旦:アクション(立ち回り)を専门とする女性 净(Jing、ヂン) 正净:正义を象徴する男性.\色系の隈取りが特 副净:男性役. 丑(Chou、チョウ):道化役.颜の中央を白く涂るのが特徴

淮南市17317031606： 高悬赏求英语作文一篇？
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淮南市17317031606： 生旦净丑用英语怎么说? - ？
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淮南市17317031606： 高分悬赏,求一篇英语作文200字以上,题目为我眼中的皇室婚礼,大致写对皇室婚礼的一些看法以及心中的婚礼 - ？
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淮南市17317031606： 一篇关于人的缺点的英语论文(约200词左右即可)高悬赏!!!？
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